A Spanish-American series starring Stanley Tucci is now available for free in the UK (Picture: AMC) A ‘distinctive’ series about a diplomat hunting down a team of treasure hunters to recover their spoils is now streaming for free in the UK. First hitting screens in […]
TVA beloved Clarkson’s Farm star was struggling over the weekend (Picture: Prime Video / Ellis O’Brien) A Clarkson’s Farm star is in some pain after suffering a ‘busted ankle’. Kaleb Cooper, 26, has become a household name since rising to fame with Jeremy Clarkson on […]
TVCiri is the star this time (Epic Games/CD Projekt) CD Projekt has discussed its technical ambitions for The Witcher 4, which marks a big change in strategy for the studio. The history of CD Projekt is rooted in the PC market, stemming back to the […]
GamingWhere does Sony go after the PS5 Pro? (Sony Interactive Entertainment) Sony has discussed its next generation plans for PS6, which seems to include some kind of handheld. There’s still a sense the PlayStation 5 generation has barely begun, due to the lack of exclusive […]
GamingSony has discussed its next generation plans for PS6, which seems to include some kind of handheld.
There’s still a sense the PlayStation 5 generation has barely begun, due to the lack of exclusive games and the amount of people still playing on last gen hardware, but Sony has its eyes firmly set on the next generation.
As such, Sony Interactive Entertainment’s new president and CEO, Hideaki Nishino, was asked various questions about the future of PlayStation during a recent business presentation, a transcript of which was released this week.
As part of this presentation, Nishino was asked specifically about the advancements in cloud gaming, and whether it could make a new home console redundant.
After highlighting how Sony has experimented with cloud gaming since the PlayStation 3 generation, Nishino explained how he believes the majority of players still want to play games through ‘local execution’ due to the instability of online connections.
‘The business model for cloud gaming must be sustainable for the longer term gross,’ Nishino said. ‘Cloud gaming is progressing well from a technical standpoint, we have demonstrated with these offerings, but end-to-end network stability is not in our control. And the higher cost per playtime compared to the traditional console model remains a challenge.
‘Cloud gaming is increasingly providing additional options for players to access content, but our belief is that the majority of players continue to want to experience gaming through local execution without dependency on local network conditions. And PS5 and PS5 Pro have validated this thesis, I believe.’
Sign up to the GameCentral newsletter for a unique take on the week in gaming, alongside the latest reviews and more. Delivered to your inbox every Saturday morning.
On the subject of the next generation, Sony didn’t share any details about its next console but stated that it is ‘top of mind’ at the company.
‘Our console business has evolved into a multi-faceted platform, and we now have a large ecosystem of highly engaged players across both the PS5 and PS4 generations, so naturally therefore, there’s a huge interest in our next generation console strategy,’ Nishino added. ‘While we cannot share further details at this stage, the future of the platform is top of mind.
‘We are committed to exploring a new and enhanced way for players to engage in our content and services.’
Later in the Q&A, Nishino was asked about Sony’s strategy around the PlayStation Portal, and if handhelds are part of its next generation plans – something which has been rumoured over the past year.
While he largely dodges the latter part of the question, Nishino states that they ‘remain committed’ to the handheld space and ‘exploring’ other new ways for players to ‘access our content and services’.
‘The PlayStation Portal is part of our strategy to offer more flexible playstyles,’ he said. ‘When we invested in the PlayStation Portal, we wanted to ensure that any handheld device we create would be able to provide players with the full PlayStation experience that they have come to expect through our consoles.
‘We want to ensure games look good when played on handhelds. The smartphone is too small [a] screen for high fidelity, so I wanted to approach portable gaming via streaming, which led to the PlayStation Portal.
‘Currently, the Portal owners spend 30% more time playing and later into the evening. It’s showing the impact the Portal has had on the play patterns. Sales are progressing steadily and more importantly, it has unlocked additional engagement across our player base, so we remain committed to exploring new ways for players to access our content and services.’
While nothing is known about the PlayStation 6, rumours suggest it could launch with two variants, namely a home console and portable device. Just recently, known leaker Kepler claimed the portable will have AI upscaling and a third of the overall memory bandwidth of the PlayStation 5.
It’s claimed the portable will also have 16GB of RAM, along with a 4MB L2 cache (a second tier of memory) and 16MB of MALL (memory attached last level).
Sony previously talked about its next generation plans last year, where it suggested that the console will improve ‘other elements’ beyond graphics.
‘Technology is constantly evolving, so I think there’s still more we can do,’ Nishino said. ‘With the PlayStation 5, we’ve shortened loading times by switching from the hard disc drive (HDD) used in the PlayStation 4 era to a solid-state drive (SSD).
‘The sound can now be heard more three-dimensionally through the PS5 controller’s speakers, enhancing the sense of immersion. Visual accuracy is important, but we will also be updating other elements.’
The big question is what Sony can do to convince PlayStation 5 players to jump ship to the next generation, which could arrive as early as 2027.
Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter.
To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here.
For more stories like this, check our Gaming page.
{“@context”:”https://schema.org”,”@type”:”VideoObject”,”name”:”Metro.co.uk”,”duration”:”T2M21S”,”thumbnailUrl”:”https://i.dailymail.co.uk/1s/2025/03/18/14/96314769-0-image-a-1_1742306752861.jpg”,”uploadDate”:”2025-03-18T14:07:13+0000″,”description”:”A matchmaker’s lucrative business is complicated when she falls into a toxic love triangle that threatens her clients. Starring Dakota Johnson, Chris Evans, and Pedro Pascal.”,”contentUrl”:”https://videos.metro.co.uk/video/met/2025/03/20/1501268273044437343/480x270_MP4_1501268273044437343.mp4″,”height”:270,”width”:480} To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Up […]
Film
To view this video please enable JavaScript, and consider upgrading to a web
browser that
supports HTML5
video
Up Next
window.addEventListener(‘metroVideo:relatedVideosCarouselLoaded’, function(data) {
if (typeof(data.detail) === ‘undefined’ || typeof(data.detail.carousel) === ‘undefined’ || typeof(data.detail.carousel.el_) === ‘undefined’) {
return;
}
var player = data.detail.carousel.el_;
var container = player.closest(‘.metro-video-player’);
var placeholder = container.querySelector(‘.metro-video-player__up-next-placeholder’);
container.removeChild(placeholder);
container.classList.add(‘metro-video-player–related-videos-loaded’);
});
Materialists has earned a whopping 88% Rotten Tomatoes ranking after landing in US cinemas.
Starring three major powerhouse performers, Dakota Johnson, Pedro Pascal, and Chris Evans, it’s probably not particularly shocking that the new romantic comedy from Past Lives director Celine Song has received rave reviews.
The movie was released to US audiences on June 13 – although regrettably isn’t crossing the pond until August 15 – and has been met with praise from reviewers who love this ‘deconstruction of the conventional rom-com’.
The film follows Lucy, an ambitious New York City matchmaker (Johnson) who finds herself in a love triangle between her ex, a handsome cater-waiter (Evans) and her new love interest, a handsome, multimillionaire businessman (Pascal).
Things begin to get tricky for Lucy as she must choose between her past and future while she mixes business with romance and struggles to handle the consequences.
With an 88% Rotten Tomatoes, the critics consensus on the site is favourable and praises the film for its ‘meaty’ performances.
‘A mature deconstruction of the conventional rom-com, Materialists provides its trio of swoon-worthy stars some of their meatiest material yet while reaffirming Celine Song as a modern master of relationship dramas,’ the critics’ consensus affirms.
Film critics have also praised the film as a ‘snappy rom-com’ with some arguing it has rewritten the genre, with others saying it’s stuck to the formula – but in a fun, refreshing way.
‘A seductive, smartly refreshed addition to an impossibly, perhaps irredeemably old-fashioned genre that was once a Hollywood staple,’ said Manohla Dargis for The New York Times.
‘[Materialists] marks the emergence of a new genre: the rom-con, not in the sense that it’s against the vicarious pleasures of flirting, seduction and finally finding true love, but that it’s painfully aware of the coldhearted calculation that so often lies beneath,’ said Ann Hornaday for the Washington Post.
‘After the spare and almost meditative tone of Past Lives comes this snappy rom-com with serious star power that unapologetically follows the conventions of the genre, which means we can guess where it’s likely going to take us. But the ride is really fun,’ said Karen Gordon for Original Cin.
‘Tilt “Materialists” at an angle and it’s the same film as “Past Lives,” only bolder and funnier. Really, Song wants to know whether a sensible girl can justify shackling herself to a broke creative,’ said Amy Nicholson for the Los Angeles Times.
Director Celine Song was the mastermind behind the 2023 film Past Lives, which was met with incredible praise and nominated for the Academy Award for Best Picture and Best Original Screenplay.
Although Materialists marks Song’s second film, the expectations surrounding the New York-based director, playwright, and screenwriter were high, given the success of her first film.
Past Lives was a sombre, more melancholic semi-autobiographical portrayal of a love triangle, which followed two childhood friends over the course of 24 years as they grew apart from one another.
The film has a 95% ranking on Rotten Tomatoes and stars Greta Lee, Teo Yoo, and John Magaro.
@a24 “Materialists is made for an audience in 2025 to talk about love and the way it exists today.” First look behind-the-scenes of Celine Song’s modern rom-com with stars Dakota Johnson, Chris Evans, Pedro Pascal and Celine herself. In theaters June 13.
‘The genre of romance, it’s very easy to dismiss it as girl s**t,’ said Song in a recent interview with A24. ‘But the truth is that love affects all of us.’
Song herself worked as a matchmaker in 2016, so drew on her real-life experiences to tell this romantic story.
‘I’m always trying to make a movie that I want to watch. And to me Materialists is made for the audience in 2025, to talk about love and the way it exists today.
‘It’s completely worthy of cinema.’
Materialists hits cinemas in the UK on August 15.
Got a story?
If you’ve got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we’d love to hear from you.
Time for a Switch up (Nintendo) Metro journalists select and curate the products that feature on our site. If you make a purchase via links on this page we will earn commission – learn more The Nintendo Switch 2 has had a record-breaking launch with […]
GamingMetro journalists select and curate the products that feature on our site. If you make a purchase via links on this page we will earn commission – learn more
The Nintendo Switch 2 has had a record-breaking launch with millions sold already, but some retailers still have stock available.
It’s been just over a week since the Switch 2 launched around the world, and the console is already an unprecedented success.
The Switch 2 is the fastest-selling console in history, with over 3.5 million units sold in its first four days, according to Nintendo. In comparison, the original Switch managed 2.7 million within its first month in 2017.
While some of this success can be attributed to Mario Kart World, these sales numbers are largely down to the amount of stock Nintendo had ready for launch. The console has never been unavailable for long and some UK retailers have already replenished their supply.
At time of writing, Argos has the Switch 2 console and the Mario Kart World bundle in stock, priced at £395.99 and £429.99, respectively. You can also click and collect from stores if you want to pick up the console on the same day, depending on your area.
While most other retailers are sold out at the moment, there is a Switch 2 bundle available to pre-order on Very too, which will be available for delivery from Friday, June 20. This bundle includes the Switch 2 base console, Pro Controller, and 256GB SanDisk MicroSD card for £520.
Sign up to the GameCentral newsletter for a unique take on the week in gaming, alongside the latest reviews and more. Delivered to your inbox every Saturday morning.
When bought separately, the Pro Controller and MicroSD card cost £74.99 and £49.99 respectively, so you’re only saving £1 with this bundle. It’s worth pointing out too that you can use your original Switch Pro Controller on the Switch 2, but if you don’t have one already and you’re craving the new console, it’s an option at least.
Argos:
Nintendo Switch 2 base console – £395.99
Nintendo Switch 2 Mario Kart World bundle – £429.99
It’s likely these will sell out fast, but we will update this piece if any other bundles appear elsewhere.
While most of the Switch 2 accessories tend to stay in stock longer than the console itself the new Pro Controller has become difficult to find, although both Argos and Currys currently have it in stock.
Although the Switch 1 Pro Controller will work on the Switch 2, the new version is more comfortable to use and has two additional programmable buttons at the back, as well as a headphone jack.
Nintendo Switch 2 Pro Wireless Controller at Argos – £74.99
Nintendo Switch 2 Pro Wireless Controller at Currys – £74.99
While Mario Kart World is the main attraction, the Switch 2’s launch line-up also includes Cyberpunk 2077: Ultimate Edition, Nintendo Switch 2 Welcome Tour, Split Fiction, Yakuza 0 Director’s Cut, Fast Fusion, and various upgrades to original Switch games.
As for upcoming titles, Donkey Kong Bananza launches next month, while Metroid Prime 4: Beyond, Kirby Air Riders, and Pokémon Legends: Z-A are all set to come out later this year.
Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter.
To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here.
For more stories like this, check our Gaming page.
Back to the start (Sega) One of the best Yakuza games is remastered for the Nintendo Switch 2 with new content and features, but is it worth the inflated price tag? For anyone who hasn’t played many current gen games over the past few years, […]
GamingOne of the best Yakuza games is remastered for the Nintendo Switch 2 with new content and features, but is it worth the inflated price tag?
For anyone who hasn’t played many current gen games over the past few years, the Switch 2 launch line-up is a stacked compilation of hits to catch up with. Mario Kart World might be the headline act, but between Cyberpunk 2077: Ultimate Edition, Split Fiction, Hogwarts Legacy, Street Fighter 6, and upgraded versions of arguably the best two Zelda games, it’s a well-rounded recap of the modern gaming landscape.
Another one of these titles is Yakuza 0 Director’s Cut, a re-release of the PlayStation 4 game which came out in 2017. By most accounts, it’s recognised as one of the best games in the Yakuza (now Like A Dragon) series, and helped catapult its popularity in the west. We’d argue Yakuza: Like A Dragon is a better entry point now, in terms of modern gameplay standards, but as an origin story for characters Kazuma Kiryu and Goro Majima, Yakuza 0 still makes the most sense from a story perspective.
This new version is basically the same beat ‘em-up gangster drama as before, only repackaged with some additional perks for the Switch 2. If you’re looking for a route into the series with your shiny new handheld, this is a worthwhile pick-up, but the portable element is the only real upside to this expanded cut.
If you want a breakdown of the game, you can check out our original review of the PlayStation 4 version. The Director’s Cut is fundamentally the same games, but some aspects are showing their age eight years later – namely the combat. It’s still enjoyably scrappy in its arcade sensibilities, especially in the scripted Heat actions, but when compared to the variety and fluidity of modern entries, Yakuza 0’s combat has become a stiff throwback.
Everything else holds up reasonably well and there’s a visual upgrade on the Switch 2, with 60fps and 4K support when docked. It helps make the city streets of Kamurucho pop, especially at night, but it’s a shame other improvements weren’t made elsewhere, like the character models outside of cut scenes or the presentation of menus, to give it a modern finish.
Sign up to the GameCentral newsletter for a unique take on the week in gaming, alongside the latest reviews and more. Delivered to your inbox every Saturday morning.
There are also new, if minor, additions. The Director’s Cut comes with an English dub, and while recent entries like Like A Dragon: Infinite Wealth have decent English voicework, the performances here are a drastic step down when compared to the Japanese actors. We might be too attuned to the latter to comprehend any changes to Kiryu’s delivery, but listening to the English dub is a real slog.
The biggest addition is the multiplayer mode Red Light Raid. Here, you team up with up to three other players online to fight waves of enemies over multiple stages, with the occasional boss encounter thrown in. There are six missions in total, with each one ramping up the difficulty. Any money you earn over these runs can be used to unlock new characters to scrap with, including Goro Majima, Akira Nishikiyama, or obscure fighters pulled from the Coliseum like the clown Red Lip Yamamoto.
When you’re fighting alongside three other human players (any empty spots are filled by CPUs), there’s a chaotic charm in seeing classic Yakuza 0 characters steamroll through enemy goons in rapid succession. However, Red Light Raid is little more than a shallow distraction – a tacked-on mode which is a nice novelty for a few rounds, but nothing you’ll return to in the weeks to come.
For Yakuza nerds, the driving appeal of the Director’s Cut is, as the title suggests, the inclusion of new cut scenes. There are 26 minutes of new footage in total and, as confirmed by producer Makoto Suzuki, these are scenes which were dropped from the original game, and not new inventions thrown in after the fact.
The problem is, as is often the case with deleted scenes, you realise why most of these were cut in the first place. At their best, these inclusions add colour to Kiryu’s relationships with characters like Nishikiyama, and while a neat extra, they’re not worthwhile enough to make up for the knocks to the pacing. At their worst, some of these scenes are emblematic of the series’ most irritating storytelling habits, with one character’s death being inexplicably reversed, to the narrative’s detriment.
Yakuza 0 Director’s Cut is a tough game to evaluate, as it depends on your familiarity with the franchise. If you have access to other platforms, the original game is cheaper and you won’t be missing much.
However, if you’re looking for a gateway into the series and have a Switch 2, this is a great, if expensive, option with a few inconsequential extras thrown in. For long time fans though, this expanded version will likely become an odd curiosity over the definitive edition.
In Short: An excellent Yakuza game with some Switch 2 benefits, but the bonuses fail to justify the high price tag.
Pros: Still one of the best entries in the series, even if it is showing its age in some areas. Looks great on the Switch 2, with 60fps and 4K support.
Cons: New multiplayer mode is largely forgettable. Extra scenes are disappointing.
Score: 7/10
Formats: Nintendo Switch 2
Price: £44.99
Publisher: Sega
Developer: Ryu Ga Gotoku Studio
Release Date: 5th June 2025
Age Rating: 18
Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter.
To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here.
For more stories like this, check our Gaming page.
A rare dud from Nintendo (Nintendo) The Friday letters page looks forward to the Silent Hill 1 remake, as a reader gets a tip for how to play 3-lap races in Mario Kart World. To join in with the discussions yourself email gamecentral@metro.co.uk Outlier reviewsEnjoyed […]
GamingThe Friday letters page looks forward to the Silent Hill 1 remake, as a reader gets a tip for how to play 3-lap races in Mario Kart World.
To join in with the discussions yourself email gamecentral@metro.co.uk
Outlier reviews
Enjoyed the look at the worst reviewed Nintendo games. I was curious to see what they were, as I couldn’t really think of any Nintendo games that are thought to be truly bad. Even with Welcome Tour most of the complaints seem to be that it’s not free (why would you care if it’s free or not, if it’s so bad?).
The other ones in your list are a couple of low rent Pokémon spin-offs, which you could argue technically aren’t even Nintendo games; a download-only DS game and a downloadable 3DS game, and a Wii game that was meant to be on the GameCube.
I’m sure they are bad but the only ones that seem to be genuinely awful games, that it’s a mystery why Nintendo made them, is Animal Crossing: amiibo Festival and Everybody 1-2-Switch. Interesting that one of those is very recent though and funny that Kirby: Air Ride almost made the list.
Overall, I think this actually makes Nintendo look really good. Their only bad games are super obscure ones that most people have never heard of and their overall batting average is fantastic. I really don’t think there’s anyone else as reliable, that puts out anywhere near as many games as them, and weirdly this list of the worst ones only cements to me the fact that Nintendo is the best video game company of them all.
Onibee
Random tip
I’m loving the Switch 2, especially older games with better frame rate, but I have one game that wouldn’t load, which was GRID Autosport. I found online that if you put the Switch in airplane mode the game loads fine, then you can Switch airplane mode off, so if anyone has problems this might be a workaround.
Sign up to the GameCentral newsletter for a unique take on the week in gaming, alongside the latest reviews and more. Delivered to your inbox every Saturday morning.
I’m loving Mario Kart World as well, even the open world, as I’m finding it a nice change of pace. Some have said they don’t like that there isn’t a three-lap mode like previous Mario Karts, the problem I’ve had when these modes have come up is that with 24 players it’s just too manic, the whole race feels like chance.
I feel that if they do add this mode it might be good to just have 12 players to make it feel more skillful, even my daughter hates the lap modes. The other modes with wider tracks allows for you to use more strategy.
Rob
GC: There’s a sort or workaround where if you choose Random in an online race, and it gets picked, it will always be a 3-lap race.
Successful launch
Very impressed with the Switch 2 so far. Getting to grips with Mario Kart World has been a heck of a lot of fun – I can see the gripes about the open world, and the wider, more freeform courses vs. the more controlled, tighter levels of Mario Kart 8 but… I’m having a blast. I genuinely can’t see a way back from the Knockout Tour style now, it’s so good and makes so much sense as an evolution. I can’t wait to see what they add over the course of its life.
I’ve also been playing Fast Fusion and again had great fun with it. I’ve dabbled with Zelda after the upgrades and it’s silky smooth, can’t wait to get stuck back into them both at some point. More than happy with the price of the upgrade, for what were already games well worth the price as they launched.
Lastly, Cyberpunk 2077 – wow, I didn’t expect it to stand up as well as it does. I own it on Xbox Series X and can’t believe the fidelity on Switch 2. Yes, I get some of the caveats, but they’ve done a fantastic job; it’s a leap beyond what was achieved with The Witcher 3 previously. Excellent start so far.
Pugmartin
Email your comments to: gamecentral@metro.co.uk
Altered plan
Clearly the games industry has problems to work out, but my gaming problem is too many games to play and deciding with ones to prioritise. Especially as I have subs to Game Pass and PS Plus Premium at the moment.
Game Pass has added Doom: The Dark Ages, Clair Oscur: Expedition 33, Metaphor: ReFantazio, and Oblivion Remastered in the last month or so alone.
Then there’s games that weren’t on my radar but have reviewed well and sound very interesting to me, like The Alters, which is also on Game Pass today.
I’m going to bump The Alters up to the top of the list as it sounds a bit different and I do love my sci-fi.
Simundo
Double dolphin
RE: Tolly on the Mario Kart World difficulty; I’m a long term (SNES onwards) but average skilled player, and I actually thought it was easier – so much so I actually finished getting three stars on all cc cups in Grand Prix mode… which really is making me pine for 200cc already!
Problem is that it’s hard to really give any advice as it’s so RNG based, but if you struggle with a certain track, try having a bad start/no boost and slowly creep up on those in front. Dolphin on dolphin bike ended up being my winning combination as well, as closing speed seems way too OP (even managed to jump boost over some people at places like Wario Stadium at the end for 1st!).
Oh well, at least I have knockout! All the best – and at least if you’re finding it hard, in a way you are getting more value out of it than me (if you persevere!).
Johngene NIN
In my restless dreams, I see that town
Silent Hill is being remade. It feels oddly dreamlike to be even writing those words. In 1999, the first instalment was released and followed the original heroic father character, before there was Ethan Winters. There was Harry Mason and the search for his adopted daughter, Cheryl Mason. A gloomy atmosphere followed. A questionable, devoted, and insidious cult with grand machinations and a drug addicted nurse, tasked with the hospitalisation of Alessa Gillespie, by the name of Lisa.
Just a few nuances that made the first title what it is today. I never actually played the first game, since I never owned the original PlayStation; its successor was my first console. So to say I’m pleased to see a remake, from Bloober Team and Konami, is quite the understatement.
With this announcement, and the reintroduction of Claudia, it makes it more of a possibility that the third title will eventually be remade, since it’s a direct sequel and it follows Harry’s daughter, Heather Mason. It also essentially continues the narrative, whilst concluding the original tale. So, it’s not a question or a sense of hesitation for me. I will be buying the remake of the first game and it’s Japanese sister title, Silent Hill f. Count me in for Resident Evil Requiem and Chronos: The New Dawn. It’s a fantastic time to be a horror fanatic.
Shahzaib Sadiq
Klarna call
Was looking at Klarna to see if I’d received a refund for something I noticed you can buy discounted gift cards on the app.
I think you could buy a couple to make up the price of a Nintendo Switch 2 or PlayStation 5 or whatever and save 15% at Currys. Always happy to save a bit of cash when I can.
Mark Matthews
Third party numbers
Nice Switch 2 coverage, it hasn’t convinced me to jump on board (if Nintendo think Splatoon Raiders and Hyrule Warriors will get them through Christmas they’re crazy) but given the state of the industry at the moment opening up another front for software sales is desperately needed.
I’m intrigued to know how the first wave of games are selling. Obviously, everyone will be getting Mario Kart World but I do hope upgraders are also putting cash down on the likes of Hitman and Yakuza 0 and not just playing Zelda again. If we end up in the same situation on the Switch 2 as we did on the original Switch, where third parties just don’t sell, it’ll be bad news for everyone.
Anyway, it’s interesting that some games work better out of the box, including some games that needed stabilisation, like Bayonetta 3. A big update for No Man’s Sky has just been announced and I hope we’ll see patches for the likes of The Witcher 3, Doom 2016/Eternal, Batman’s Arkham tTrilogy, and even more niche games like XCOM 2 and Divinity: Original Sin 2.
Bumps in resolution and stable frame rates would give these ‘impossible ports’ a second life much more than Nintendo’s own titles, that already ran fine on the old machine. How likely this is given the software sales I’m not sure… Astral Chain will sadly surely rot given the churn at PlatinumGames and I’m guessing you could count the number of people who want better performance options for, say, GRID Autosport or Bioshock Infinite with one hand?
Marc
GC: Well, there’s one other person that has mentioned GRID Autosport already today! The attach rate for Mario Kart World is supposedly 95%, so you’re looking at over 3 million sales already. It’s not clear we’ll get any consistent figures for third party sales though.
Inbox also-rans
Everything about MindsEye feels more like some sort of improvisational comedy skit than a game launch. If the guy making it was the brains behind GTA I’m shocked that things turned out the way they did.
Zeiss
It’d be very interesting if The Witcher 3 did get more paid-for DLC after all this time. I can’t think of any other game that went quiet for that long and then suddenly started to get new updates again. But it makes sense with the sequel coming up.
Focus
Email your comments to: gamecentral@metro.co.uk
The small print
New Inbox updates appear every weekday morning, with special Hot Topic Inboxes at the weekend. Readers’ letters are used on merit and may be edited for length and content.
You can also submit your own 500 to 600-word Reader’s Feature at any time via email or our Submit Stuff page, which if used will be shown in the next available weekend slot.
You can also leave your comments below and don’t forget to follow us on Twitter.
{“@context”:”https://schema.org”,”@type”:”VideoObject”,”name”:”Metro.co.uk”,”duration”:”T1M42S”,”thumbnailUrl”:”https://i.dailymail.co.uk/1s/2025/06/12/19/99316481-0-image-a-286_1749753218438.jpg”,”uploadDate”:”2025-06-12T19:28:52+0100″,”description”:”The sequel to the 1987 cult-classic comedy spoofing Star Wars and other films of the era will have Mel Brooks returning as Yogurt, Amazon MGM Studios announced today.”,”contentUrl”:”https://videos.metro.co.uk/video/met/2025/06/12/8736789495443468602/480x270_MP4_8736789495443468602.mp4″,”height”:270,”width”:480} To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 […]
Film
To view this video please enable JavaScript, and consider upgrading to a web
browser that
supports HTML5
video
Up Next
window.addEventListener(‘metroVideo:relatedVideosCarouselLoaded’, function(data) {
if (typeof(data.detail) === ‘undefined’ || typeof(data.detail.carousel) === ‘undefined’ || typeof(data.detail.carousel.el_) === ‘undefined’) {
return;
}
var player = data.detail.carousel.el_;
var container = player.closest(‘.metro-video-player’);
var placeholder = container.querySelector(‘.metro-video-player__up-next-placeholder’);
container.removeChild(placeholder);
container.classList.add(‘metro-video-player–related-videos-loaded’);
});
Beloved 80s space comedy Spaceballs is actually coming back after 40 years — and so is Mel Brooks.
The 1987 classic will finally get a sequel to mark 40 years since it first hit cinemas and roasted almost every major movie along with it.
Spaceballs, which has gathered a cult following since its release, is primarily a spoof of Star Wars but also parodies Alien, Star Trek, and more.
Even the Wizard of Oz wasn’t safe from Mel’s cutting comedy, with the actor having co-written, produced and directed as well as playing two characters.
The as-yet untitled sequel will see the return of the 98-year-old actor, who is soon to turn 99, because how could it possibly be made without him.
Little is known about the Amazon MGM Studios production other than it is due to reach theatres in 2027.
Mel posted a video on his X account, teasing which franchises could be in his sights and ridiculing the sequel culture we’re currently living in.
‘I told you we’d be back,’ he wrote in bold letters before the familiar Star Wars (or Spaceballs) blue writing scrolled before fans.
It read: ‘Thirty-eight years ago, there was only one Star Wars trilogy. But since then there have been… A prequel trilogy, a sequel trilogy, a sequel to the prequel, a prequel to the sequel, countless TV spinoffs, a movie spinoff of the TV spinoff which is both a prequel and a sequel.’
As the fanfare played, names of numerous other franchises were displayed such as seven Jurassic Parks, ’36 MCU movies with two different Robert Downey Jr.’s’ and ‘DCU attempt number one’ and ‘number two’.
The video cut to Mel wearing a Spaceballs sweatshirt as he said: ‘After 40 years, we asked “what do the fans want?” But instead, we’re making this movie.’
Fans of the cult classic will remember his golden painted face as Yoghurt, the spoof version of Star Wars’ Yoda who upholds the good side of ‘the Schwartz’.
Mel also appeared as President Skroob — Brooks written backwards — who is the useless leader of Planet Spaceballs.
Deadline confirmed that the EGOT winner is not the only original cast member returning, either.
Bill Pullman and Rick Moranis will reprise their roles as Lone Starr and Lord Dark Helmet (parodies of Luke Skywalker and Darth Vader, respectively).
Joining the cast is Keke Palmer who is almost as well-known for her comedy off-screen as she is for her acting on-screen.
The Non-Prequel Non-Reboot Sequel Part Two but with Reboot Elements Franchise Expansion Film is being kept incredibly under wraps.
This will be the first time Rick, 72, will appear in a live-action movie since 1997 and the first film appearance at all since he voiced Rutt in Brother Bear 2 (2006).
He’s been living life away from Hollywood since then, keeping out of the spotlight — until now.
Hopefully, Spaceballs 2 will be worthy of his re-emergence after three decades. Only time will tell so may the Schwartz be with you, Spaceballs 2 cast.
Got a story?
If you’ve got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we’d love to hear from you.
CD Projekt’s not done with Geralt just yet (CD Projekt) After celebrating its 10th anniversary, The Witcher 3 is rumoured to be getting another update besides mod support. Given it’s hard at work on both The Witcher 4 and the Cyberpunk 2077 sequel, you wouldn’t […]
GamingAfter celebrating its 10th anniversary, The Witcher 3 is rumoured to be getting another update besides mod support.
Given it’s hard at work on both The Witcher 4 and the Cyberpunk 2077 sequel, you wouldn’t think CD Projekt would have time to revisit The Witcher 3, beyond the PlayStation 5 and Xbox Series X/S update in 2022.
And yet the game is set to receive full mod support later this year and now a fresh rumour has begun circulating, claiming that the now 10-year-old game is receiving a new expansion too.
This is supposedly being made, not by CD Projekt Red, but by Fool’s Theory, a separate Polish studio CD Projekt enlisted to helm a full remake of the first Witcher game (which is currently MIA).
The rumour comes from a pair of popular Polish podcasters called Rock & Borys. At least we assume they’re popular, given their YouTube channel boasts 1.45 million subscribers.
According to them (per a translation by MP1st) the DLC will be story related and is expected to arrive after The Witcher 3’s mod support. No exact date has been given yet for when that’ll happen, but it’s supposed to be happening later this year.
Depending on the timing, this means any new Witcher 3 DLC may not be out until 2026.
Sign up to the GameCentral newsletter for a unique take on the week in gaming, alongside the latest reviews and more. Delivered to your inbox every Saturday morning.
However, despite what some have assumed, this doesn’t sound like it will be a full expansion like the Hearts Of Stone and Blood And Wine and it’s unclear if it will be a free update or something you’ll need to spend money on.
While any such rumour should be taken with a grain of salt, some fans on Reddit claim Rock & Borys have contacts within CD Projekt and thus can be considered reliable with their claims.
It would also make some sense, since The Witcher 3 did celebrate is 10th anniversary this past May, where CD Projekt revealed the game had sold over 60 million copies.
With mod support sure to draw back fans, that’ll be an opportune time to drop more content for them to sink their teeth into, especially since both The Witcher 4 and The Witcher 1 remake lack any firm release date.
CD Projekt’s latest financial report did insinuate The Witcher 4 could launch as early as 2027, but the studio couldn’t promise it wouldn’t need to push the game back.
A tech demo for The Witcher 4 was also shown recently, giving fans a first glimpse at how it’ll run using Epic Games’ Unreal Engine 5. It was an impressive showing, especially since it was said to be running on a base PlayStation 5 and not a PS5 Pro.
However, CD Projekt soon tried to downplay expectations, issuing a statement stressing that the demo is not meant to be indicative of the final product and it could look quite differently.
‘It’s important to keep in mind that this tech demo isn’t meant to represent The Witcher 4 – it’s a showcase of the tools we’re developing together with Epic Games. That means specific visuals like character models and environments may be different to The Witcher 4,’ said a studio representative.
Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter.
To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here.
For more stories like this, check our Gaming page.
It’s no Silent Hill 2, but the first Silent Hill is still a top tier horror game (Konami) Bloober Team and Konami’s next collaboration is another remake, this time of the first Silent Hill. Konami’s decision to remake Silent Hill 2 and to outsource it […]
GamingBloober Team and Konami’s next collaboration is another remake, this time of the first Silent Hill.
Konami’s decision to remake Silent Hill 2 and to outsource it to Polish studio Bloober Team was a very risky venture. The original Silent Hill 2 is a beloved classic and Bloober Team’s work on less revered titles like Layers Of Fear and The Medium meant that many didn’t trust it to handle such a prestigious game.
The gamble paid off though. Last year’s Silent Hill 2 remake was a faithful yet modernised revamp of the original classic, scoring strong reviews and becoming the fastest selling entry in the series.
So, it came as no surprise when, earlier this year, Bloober Team announced it was partnering with Konami again on another project. The obvious guess was another Silent Hill remake, and Konami has now confirmed that to be the case.
The announcement came during a Konami Press Start showcase on Thursday afternoon. After running through news on other upcoming games, such as a new online mode for Metal Gear Solid Delta, the showcase ended with a brief tease saying ‘Silent Hill is in development’ alongside Konami and Bloober Team’s logos.
Konami has since clarified that this is for a remake of the very first Silent Hill game from 1999, though the lack of any gameplay or pre-rendered cinematics suggests the project’s a long way from completion.
This is especially true since Bloober Team’s still working on an original horror game, Cronos: The New Dawn, which launches later this year.
Sign up to the GameCentral newsletter for a unique take on the week in gaming, alongside the latest reviews and more. Delivered to your inbox every Saturday morning.
The Fear Of Blood Tends To Create Fear For The Flesh…#SILENTHILL #KonamiPressStart pic.twitter.com/wlKYdOnX79
— Konami (@Konami) June 12, 2025
While Silent Hill 2 is regarded as the best of the series, the first Silent Hill is still an excellent horror game, barring some strangely difficult puzzles towards the end. Oddly, Bloober Team added more of these to Silent Hill 2 than there were originally, which suggests they won’t be removed for the Silent Hill 1 remake.
This new annoucement also makes a remake of Silent Hill 3 more likely, especially as, unlike Silent Hill 2, there are story connections with Silent Hill 1.
Although, really, of the original games developed by Team Silent, the one most in need of a remake is Silent Hill 4: The Room. Unfortunately, it’s only ever games that are already good that get remade, rather than flawed ones that would benefit from the second try.
We had extremely low expectations for Konami’s efforts to revive the Silent Hill series, as evidenced with the horrible Silent Hill: Ascension and the slightly better but still bad Silent Hill: The Short Message.
But between the Silent Hill 2 remake and the upcoming Silent Hill f in September (which we’re very excited for), the series looks to have a bright, if foggy future.
That said, Konami’s showcase continued to lack news on anything Castlevania related. Despite Konami’s return to traditional game publishing, it’s yet to do anything with one of its most iconic franchises – beyond lending it out as crossover material for other games.
We’ve been hearing talk of Konami making a new game since at least 2018, while a 2021 report from VGC also claimed that a new game was in development. But nothing has ever been annouced.
VGC’s Andy Robinson has stuck to the 2021 report’s claims, saying recently on X that, as far as he knows, a new Castlevania is ‘still coming.’ But if that’s true Konami is keeping the news very close to its chest.
Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter.
To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here.
For more stories like this, check our Gaming page.
“My face is stuck, please, how to use/ My IQ low and my shoe heels high/ The day goes by, don’t have much to say,” Norwegian pop duo Smerz sing on album opener and title track “Big city life.” Declaring that they don’t have “much […]
Music“My face is stuck, please, how to use/ My IQ low and my shoe heels high/ The day goes by, don’t have much to say,” Norwegian pop duo Smerz sing on album opener and title track “Big city life.”
Declaring that they don’t have “much to say” at the onset of a sprawling 13-track exploration of urban life is a quintessential wink by Smerz (Catharina Stoltenberg and Henriette Motzfeldt) whose lyrics tend to dabble in both plainspokenness and sarcasm.
Album single “You got time and I got money,” for example, is a stunningly literal ballad about a relationship Stoltenberg formed just after she got a day job. Her new lover, though, was in between employment. “He had a lot of time. And I suddenly had some income in my bank account. And that was it. Nothing more and nothing less,” Stoltenberg shares, laughing alongside Motzfeldt from a sun-filled apartment in Oslo. The song, though, is much more moving than a mere readout of reality. Stoltenberg’s unfussy words and the track’s lush instrumentation creates a space to consider the hugeness of the small, the complexity of the simple.
Big city life is a continued conversation between the Smerz duo, who have already created a thematically and musically varied set of works since 2017 via a debut EP, a full-length album, and a number of collaborations and compositional projects. On this new album, they’ve pared down the scale of their artistic wanderings, choosing to create a poignant portrait of life in their (relatively small) home city of Oslo.
Highlights include “Roll the dice,” which finds the duo delivering a self-affirmation before a night out on the town. “You’re a girl in the city and you shouldn’t think twice/ You take two steps forward, keep your eyes on the prize,” they hum over a beat that features an almost slapstick piano line, atonal and coy. Or look at the smashing fun of “Feisty,” which is the album at its most uptempo. A clanging 707 hi hat melds with a set of strings that could be ripped from a Vanessa Cartlon cut. Meanwhile the duo hum about the small, innocuous details of a night of drinking and flirting (“He likes to seem mysterious but really he’s just dumb/ It’s crowded at the toilet, I check my makeup and my bum”).
Smerz’s renewed focus on local tedium was spurred by a major move. They started their career in Copenhagen, a central part of its alt pop scene, which includes fellow artists Erika de Casier, ML Buch, Astrid Sonne and Fine Glindvad (Motzfeldt went to school with many of them at the important Rhythmic Music Conservatory in Copenhagen).
“We developed our whole musical life in Copenhagen. Everyone we know and everywhere we go has some connection to music,” says Stoltenberg. Collectively, their crew of Copenhagen colleagues became a global musical force, receiving an upsurge of interest in 2023 when Smerz, de Casier and Glindvad all contributed to K-pop stars NewJeans’ EP Get Up (Smerz produced EP closer “ASAP”).
It was time, though, for a change. They moved back to their hometown during COVID. Both were coming out of relationships and thus re-entering single life just as the world was fluctuating between various levels of lockdowns and reopenings. There, in Oslo, they could linger in the specificities of home: its culture, its rhythm, its “grey and green” landscape. And there, they could document their everyday experience in Oslo through surprising, instinctual works of pop reportage.
It’s hard not to connect their deep hometown connection to Stoltenberg’s own exceptional tie to the country. Her father, Jens Stoltenberg, was Prime Minister of the small EU nation twice between 2000 and 2013. Stoltenberg doesn’t speak publicly about her family’s political ties, but her ability to largely avoid the topic speaks to Norway’s vastly different social system: where wealth disparity is minimized by a social safety net and the general social code revolves around janteloven, “disdainful attitude to extraordinary achievements … [or] the Nordic trait of placing the value of equality above all else.”
On Big city life, Smerz streamlined everything, comparing its musical creation to a “band jamming.” They assembled a “library” of a few core sounds: a drum machine, software pianos, synthy strings which sound like they’re plucked out of a ‘90s TV documentary’s score. “These songs were made quite fast, with a focus on the songwriting, and less focus on the sounds and the textures,” Stoltenberg shares. “By working a bit more quickly and not focusing as much on the production, you can capture some spontaneous mood or feeling of whatever state you’re in.”
They found themselves making music in a variety of locations, like Motzfeld’s apartment and even in the library. “It’s very natural [for us to make music in the library], because our music setup is mainly just a computer and headphones. It sets another scene. It’s another type of concentration,” Stoltenberg says.
“There’s something special about making music at a very low volume,” adds Motzfeld. “That influences the music that comes out. It can be a bit more puzzle-like. You’re solving these riddles.” That’s an apt metaphor for how these songs sound, given that they have a certain neatness and clarity to them. Still, though, that neatness shouldn’t be misinterpreted for safety.
The micro-situations they describe still have a deep sense of feeling. And their clear-as-glass words ring with an evocative objectivity.
Stoltenberg shares that moments they describe in their music are chances to explore a level of relationality: how the self intersects with the world writ large. “You move out of a relationship and you feel a bit alone. You move cities and you’re not with your close friends. We had a period in New York, where you can feel very alive because there’s so much going on around you, but you’re alone in a different sense,” she says. “It’s this longing for something that is hard to specify. [It’s] about where you feel energy and life, or the feeling of existing. Sometimes you can find that within yourself and sometimes you need it from the outside world.”
Big city life works well in both contexts: as a meditative self reflection or as a wry soundtrack to hitting the town. Like a city, it’s varied: small roads, huge avenues, skyscrapers, trees. It’s a city you can choose your own adventure in. All you have to do is roll the dice.
Photography: Smerz and Erika de Casier
Stormzy has announced a major career move (Picture: #MERKY FILMS ) Stormzy has officially unveiled #Merky Films, the latest addition to his creative empire. The launch is his entry into the world of film and visual storytelling, expanding the #Merky brand (which already includes #Merky […]
FilmStormzy has officially unveiled #Merky Films, the latest addition to his creative empire.
The launch is his entry into the world of film and visual storytelling, expanding the #Merky brand (which already includes #Merky Books, #Merky Foundation, and #Merky FC).
To kick off the venture, Stormzy is debuting Big Man, a short film produced in association with Apple and shot entirely on iPhone 16 Pro.
Directed by Oscar-winning filmmaker Aneil Karia, the film stars Stormzy in his first-ever lead acting role.
Klevis Brahja, 15, will also be making his acting debut in the film after being street-cast for the film.
Some fans may recognise Jaydon Eastman, 14, from The Lion King, Matilda, and MJ The Musical on the West End, who is also starring in the new project.
Premiering on YouTube at 8:00pm BST on June 18, 2025, the film follows the story of Tenzman, a retired rap star whose life takes an unexpected turn after he meets two spirited boys, Klevis and Tyrell.
Their unlikely friendship rekindles Tenzman’s passion for music, leading him down new avenues of discovery. The film explores themes of rediscovery, gratitude, and the enduring power of connection.
‘#Merky Films is something I’ve been dreaming about for ages,’ said Stormzy.
‘It’s a space for powerful British stories and fresh, unexpected art. I hope Big Man inspires people to dream bigger and live louder.’
The new media venture aims to spotlight new voices and bold narratives within British cinema and TV, and its upcoming slate includes a drama series, a biopic, documentaries, a new animation project, and a mockumentary.
In an Instagram post about the project, Stormzy wrote: ‘I hope you love Big Man as much as we loved making it. It captures the joy, the spirit and the fearless energy of youth and I hope it inspires you to dream big.’
Got a story?
If you’ve got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we’d love to hear from you.