Colombian hitmaker Manuel Turizo has officially entered his awards show era — and he did it in style. For his first-ever American Music Awards appearance, the Latin GRAMMY-nominated, the U.S. Platinum-certified artist took the stage alongside Becky G to debut their fiery new collab “Que […]
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MusicPAPER <3s NY and PAPER<3s the DJs that keep us moving. That’s why we’re proud to present The Tear, our mix series highlighting the best DJs spinning in the city we call home. In April, we shared a mix by DJ DEADNAME, a Bass-heavy opus […]
MusicChild star Thomas Turgoose was almost adopted by Stephen Graham (Picture: Claudio Onorati/EPA/REX/Shutterstock) We often see him portraying a family man on the small screen, but actor Stephen Graham once offered to adopt one of his very own co-stars. The beloved Liverpudlian TV star is […]
TVWe often see him portraying a family man on the small screen, but actor Stephen Graham once offered to adopt one of his very own co-stars.
The beloved Liverpudlian TV star is a hot topic of conversation at the moment, having wowed in A Thousand Blows before the release of Adolescence on Netflix.
Starring alongside Erin Doherty, Ashley Walters, and Owen Cooper—plus his wife Hannah Walters—the powerful four-part drama follows a family’s world being torn apart as 13-year-old Jamie is arrested for murdering a classmate.
Each episode is shot entirely in one take, exploring the repercussions of the teen’s crime for his peers, parents, and police.
Of course, this is far from Stephen’s first rodeo, as the Kirky-born performer is known for a range of roles, including the 2007 movie This Is England.
The indie film also stars Thomas Turgoose, whose mother died shortly after work ended on the project in 2006.
In the wake of the tragedy, Thomas, who was just 13 at the time, received an extraordinary offer of kindness from fellow cast member Stephen and director Shane Meadows.
The youngster was going to live with his dad, but as he ‘didn’t know him’, the pair said they would take care of him if things didn’t work out.
Line of Duty star Stephen had already promised Thomas’ mum, who died of lung cancer, that he would look after her son.
‘When my mum died, I moved in with my dad, and I didn’t know him, so Shane Meadows and Steven Graham were going to adopt me if things didn’t work out with my dad,’ he told the podcast Private Parts in 2021.
The cast was incredibly close, and the director even dedicated the film to Thomas’ mum, Sharon, who did not get to see the finished product.
Cast members such as Stephen, Vicky McClure, and Jo Hartley remained close with the child star long after cameras stopped rolling, as they attended the Intergalactic actor’s wedding in 2018.
Before landing the breakout role of Shaun in the critically acclaimed film, about a young boy who falls in with a gang of skinheads in 80s England, Thomas confessed he was ‘destined for prison, shoplifting things I didn’t need.’
‘There was a hardware store in Grimsby that I used to steal spray paint from for no reason,’ he said.
He reprised the role of Shaun in TV follow-ups later on. This Is England ’86 was released in 2010, This Is England ’88 dropped the following year, and This Is England ’90 landed in 2015.
His acting CV also boasts roles in Eden Lake, Avengement, and Jackdaw.
Meanwhile, Stephen has also continued achieving greatness with roles in Little Boy Blue, Boiling Point, and Bodies, to name just a few.
As for his recent role in Adolescence, he’s been vocal about the importance of the drama, warning fellow parents to be ‘mindful’ about what their kids are consuming online.
It comes after the character of Jamie is heavily influenced by ideologies from the likes of Andrew Tate, which continue to harm young men and boys.
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Dad-of-two Stephen, 51, told The Independent: ‘It’s just being mindful of the fact that not only we parent our children, and not only does the school educate our children, but also there are influences that we have no idea of that are having profound effects on our young culture.
‘Profound effects, positive and extremely negative; so it’s having a look at that and seeing that we’re all accountable.’
This article was first published on June 15, 2021.
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Stephen Graham has issued a ‘profound’ warning to parents about the detrimental impacts of the internet after his Netflix drama Adolescence.
The one-shot drama follows the fallout after 13-year-old boy Jamie, played by newcomer Owen Cooper, is accused of murdering a girl in his class.
The four-part drama also explores how ideologies from the likes of Andrew Tate are harming young men.
Reflecting on the drama, dubbed ‘the best in a long time’, Stephen advised parents to be ‘mindful’ of external influences on their children.
The A Thousand Blows actor, 51, explained that the internet can be ‘extremely negative’ for young people.
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He told The Independent: ‘It’s just being mindful of the fact that not only we parent our children, and not only does the school educate our children, but also there are influences that we have no idea of that are having profound effects on our young culture.
‘Profound effects, positive and extremely negative; so it’s having a look at that and seeing that we’re all accountable.
The Time actor continued: ‘When we were kids, if you got sent to your room or if Kenny Everett was on the telly, and it got a bit racy, you’d be sent to your room and then you couldn’t watch it.
‘But today even within the context of that home, when lads and girls go to their bedrooms, they have the world at their fingertips.’
Stephen is a father and shares son Alfie and daughter Grace with his actress and producer wife Hannah Walters.
The Line Of Duty star previously said that Adolescence tells ‘an ordinary family’s worst nightmare’.
He told Netflix Tudum: ‘I really just wanted to shine a light on it, and ask, “Why is this happening today? What’s going on? How have we come to this?”‘
Despite the dark subject material, Adolescence has been a hit with viewers and critics alike, earning a perfect 100% Rotten Tomatoes score.
On X, KongoZande said: ‘Finished #Adolescence, what an incredible show. We genuinely do not talk enough about the greatness of Stephen Graham. This final scene had me bawling.’
Echoing their sentiment, Kellam wrote: ‘Guys Adolescence on Netflix is potentially the closest thing we have to perfect tv. Severance, Paradise and now this? How greedy. All shot in one take too? Mental.’
Tim called it ‘the most sensational piece of television I’ve seen in years’, while Jiya described it as ‘truly a brilliantly crafted show’.
Director Philip Barantini and writer Jack Thorne previously spoke to Metro to discuss the importance of the conversations being sparked by the drama and why the one-shot style of filming was vital to the story.
Philip, who also directed 2019 film Boiling Point in one shot, which also starred Stephen, explained why this filming technique isn’t a ‘gimmick’, but a tool to draw the audience in to an even greater degree and ‘force them to pay attention’.
He said: ‘It’s relentless, and it puts a perspective on things that you wouldn’t necessarily have. You can’t jump forward in time, you can’t cut to another person, you can’t go to a close up.
‘We wanted to just dip the audience in for an hour in this particular moment in time, dip them back out again, and then put them in a few months later and let them work it out themselves.’
Adolescence is available to stream on Netflix.
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Siobhan Finneran has a low-key life away from the cameras (Picture: REX/Shutterstock) Siobhan Finneran, lead of ITV’s new thriller Protection, appears to have struck up a sweet romance with another popular TV detective. The British actor, 59, has been involved in several staple shows, from […]
TVSiobhan Finneran, lead of ITV’s new thriller Protection, appears to have struck up a sweet romance with another popular TV detective.
The British actor, 59, has been involved in several staple shows, from BBC’s hit crime drama Happy Valley opposite Sarah Lancashire to Downton Abbey’s grouchy Miss O’Brien.
If you are an avid TV watcher, you will have come across something the Bafta-winning actor has featured in, whether it’s Alma’s Not Normal, Time, The Recokning or Benidorm.
Her latest role is as a witness protection officer whose life is torn apart when a family she is protecting falls under attack – bringing the ghosts of her past, present and future home to roost.
All this to say that the six-part heart-pounding crime drama is familiar territory for the Lancashire-born actress.
Here’s what we know about the acclaimed actress’s life away from the limelight.
Siobhan was married to star of police procedural Heartbeat, Mark Jordon, for 17 years before they got divorced in 2014.
In 2001, a few years after the pair married, Mark (also known for his roles in Casualty, Hollyoaks and Doctors) spoke about his then-wife in an interview with The Mirror.
‘She’s just so lovely. We met when I was 20 and she was a bezzie, bezzie mate for years. We didn’t realise that half of our fun was flirtatious,’ he said at the time.
The pair had even acted in Heartbeat together a few years previously. Recalling his proposal story, Mark once said he ‘took her down to London for a romantic weekend’ that involved a limo and her favourite music.
After the couple parted ways in 2014, Siobhan was romantically linked with Don Gilet – the new lead star of Death in Paradise.
The pair worked together on the 2017 ITV drama The Loch which centres around a murder in a small Scottish town. Since then, they have appeared on the red carpet together and were seen holding hands at the 2024 TV Choice Awards.
And although they have kept their rumoured romance low-key, Siobhan seemed to confirm the relationship in a recent chat with The Guardian.
As she recommended her favourite artist, Rudi Hurzlmeier, she reminisced on a sweet anecdote involving the TV detective.
‘I found a card I’d been sent years ago, clearing out a drawer, and laughed as soon as I saw it again.
‘It’s a picture of a nun looking in a shoe shop, and a bloke next to her has got his hand on her bum. I showed it to Don [Gilet], my fella, and now one of my Christmas presents is a book of Hurzlmeier’s work,’ she said.
Yes, Siobhan shares two children with her ex-husband Mark. A daughter Poppy and son, Joseph who are both in their late 20s.
In a recent interview with The Guardian, she spoke a bit about taking a step back from acting to raise her children.
She said: ‘You sometimes look back and think, yeah, I made a decision not to work when the children were small.
‘But I don’t think I’d made a decision. I think there probably wasn’t a lot of work coming in, and that just fitted in quite brilliantly with the fact that I had two kids under the age of two.’
As for Mark, his role as a father is front and centre on his social media, with his Instagram handle reading markjordondad where he occasionally shares photos with his children.
Perhaps one of the biggest questions that came from Siobhan’s three season stint on the ITV period drama Downton Abbey was the reason behind her sudden departure.
The villainous lady’s maid, Miss O’Brien, was a firm fixture of the show, filled with snarky quips, a firm alliance with the scheming Thomas Barrow and plenty of disdain for poor and rich alike.
But, at the start of season four, viewers were informed that Miss O’Brien had abruptly left her post to follow Lady Flintshire to India.
Siobhan later shed some light on the reason behind her exit, and made clear it was entirely her decision to not renew her contract.
‘I signed up to do three series and that was all I wanted to do,” she explained.
‘I had great fun doing it but I just didn’t want to do it any more. I decided this before we even did the last series. When I stop loving something, I stop doing it.’
Protection airs at 9pm on Sunday, March 16 on ITV1 and will be available to stream on ITVX.
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It’s time to cancel all your social plans as Netflix is about to drop its next binge-worthy murder-mystery.
Prepare to not leave your house on Thursday as that is when The Residence is coming to the global streaming platform.
The whodunit stars Orange Is The New Black star Uzo Aduba as eccentric detective Cordelia Cupp, tasked with solving a murder at the White House.
The all-star cast also features the likes of Breaking Bad’s Giancarlo Esposito, Always Be My Maybe’s Randall Park and Kylie Minogue.
Fans have already compared The Residence to zany caper Knives Out after watching the trailer.
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Among them is @JoseBaghiroli, who said on YouTube: ‘It’s the West Wing/Knives Out crossover I never knew I needed.’
@heyitsthatspinabifidachick1351 shared: ‘I have my reminder set on Netflix. I can’t wait to see this show.’
@redeye007 commented: ‘This is the Netflix version of Only Murders in the Building. Looks like my kind of show. Next season should take place at Buckingham Palace.’
Echoing their sentiment, @whatthebuckfan89 added: ‘Oh my goodness I saw this was set in the White House I usually don’t go for any shows about politics, but this looks hilarious the delivery of the detective genius.’
Created by Paul William Davies, The Residence is produced by TV legend Shonda Rhimes’s production company Shondaland, also behind shows including Grey’s Anatomy, Scandal and Bridgerton.
If you can’t wait until Thursday, Netflix fans have also been recommending recently added drama Adolescence.
Starring Line of Duty’s Stephen Graham and Owen Cooper in his debut onscreen role, one-shot drama Adolescence tells the harrowing story of a 13-year-old boy accused of the murder of a girl in his class.
Over four episodes, it follows Jamie Miller (Cooper) arrested and charged with the heinous crime, with Top Boy’s Ashley Walters playing Detective Inspector Luke Bascombe, who is assigned to Jamie’s case.
Viewers see the impact of Jamie’s actions on his school, his family, and the shocking CCTV evidence behind the act before The Crown actress Erin Doherty, who plays a clinical psychologist, delves deeper into his mindset and the impact the ideologies from the likes of Andrew Tate are having on young men.
‘Finished #Adolescence, what an incredible show. We genuinely do not talk enough about the greatness of Stephen Graham. This final scene had me bawling,’ KongoZande said, to which Samantha commented on X: ‘Same, I’m still crying and it ended about 5 minutes ago. He is phenomenal. Just wow.’
Kellam wrote: ‘Guys Adolescence on Netflix is potentially the closest thing we have to perfect tv. Severance, Paradise and now this? How greedy. All shot in one take too? Mental.’
Tim called it ‘the most sensational piece of television I’ve seen in years’, while Jiya said it ‘is truly a brilliantly crafted show’.
Director Philip Barantini and writer Jack Thorne previously spoke to Metro to discuss the importance of the conversations being sparked by this drama and why the one-shot style of filming was vital to the story.
Philip, who also directed 2019 film Boiling Point in one shot, which also starred Stephen, explained why this filming technique isn’t a ‘gimmick’, but a tool to draw the audience in to an even greater degree and ‘force them to pay attention’.
He said: ‘It’s relentless, and it puts a perspective on things that you wouldn’t necessarily have. You can’t jump forward in time, you can’t cut to another person, you can’t go to a close up.
‘We wanted to just dip the audience in for an hour in this particular moment in time, dip them back out again, and then put them in a few months later and let them work it out themselves.
The Residence is coming to Netflix on Thursday, March 20.
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Guilt follows an American student who is accused of murdering her roommate (Picture: Disney General Entertainment Con) Amazon Prime Video viewers have been binge-watching an ‘addictive’ thriller packed full of twists and turns. The streaming platform recently added the first and only season of murder-mystery […]
TVAmazon Prime Video viewers have been binge-watching an ‘addictive’ thriller packed full of twists and turns.
The streaming platform recently added the first and only season of murder-mystery Guilt, which first debuted on Freeform in 2016.
The drama stars Daisy Head as Grace Atwood, an American student in London, who becomes the prime suspect in a murder investigation after the killing of her roommate Molly Ryan (Rebekah Wainwright).
Guilt is said to be inspired by the real-life case of Amanda Knox, an American exchange student living in Italy who was wrongfully imprisoned for nearly four years for the 2007 murder of her roommate Meredith Kercher.
Having long maintained her innocence, Knox’s murder conviction was overturned in 2015 by Italy’s highest court, the Supreme Court of Cassation.
On Google, fans have been raving about Guilt and praised the show, which features the likes of Billy Zane, for having ‘fantastic acting.’
Among them is Srinivas Gowda, who enthused: ‘This show is very intriguing and makes you wonder what exactly is going on with the lives of these innocent, twisted people. That’s when you slowly realise how everyone is connected in this controlled chaos all linking to a bloody dead body at a house party. True to the show’s title, everything the show depicts is about the “Guilt”. In my personal opinion the show is underrated on IMDB.’
Echoing their sentiment, Kevin McManus said: ‘Loved every minute of it fantastic acting.’
Over on Rotten Tomatoes, Jon C wrote: ‘It’s a guilty pleasure. The creators take a murder-mystery and use the Amanda Knox approach. During a trip to London a young girl Grace finds her roommate Molly murdered and all the fingers point to her.
‘The show turns into an addictive, chilling story about this girl’s involvement and wondering if she is guilty or not. Other characters like Grace’s sister, boyfriend, and attorney try their hardest to prove her innocence.
‘As the evidence builds up, the number of suspects does too, but it also means deadly consequences. Connections lead to money, sex, drugs, lies, betrayal, doing things against our own nature, and getting mixed up with powerful, dangerous individuals.
‘Sexy, sly, brutal TV making for the young crowd. Cool plot twists and hip players.’
Guilt is not the only show gripping Amazon Prime Video viewers.
They’ve also been devouring every episode of family crime drama they claim ‘outshines’ Peaky Blinders.
Animal Kingdom even stars one of the BBC’s show’s actors, Finn Cole, who played Michael Gray.
First aired in 2016, the thriller follows Finn’s character Joshua ‘J’ Cody who moves in with his estranged relatives, the Codys, who run a criminal family enterprise in California, after the death of his mother.
On Reddit, Turbulent-Truth-4059 urged: ‘How is no one talking about how good ANIMAL KINGDOM IS🔥🔥🔥 watch it.’
Agreeing, FineJellyfish4321 raved: ‘Yes!!! I always recommend it and a lot of people don’t even know about it. I didn’t until last year but once I started I was absolutely hooked! That is hands down one of the best shows I’ve ever seen!’
jwC731 added: ‘Highly underrated show imo.’
Guilt is available to stream on Amazon Prime Video.
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Rachel Zegler and Gal Gadot appeared at the recent premiere of Snow White (Picture: Getty) Rachel Zegler and Gal Gadot appeared at the world premiere of Disney’s Snow White at El Capitan Theatre in LA yesterday. The film, which will be in theatres March 21, […]
FilmRachel Zegler and Gal Gadot appeared at the world premiere of Disney’s Snow White at El Capitan Theatre in LA yesterday.
The film, which will be in theatres March 21, was also celebrated by attendees like Disney CEO Bob Iger and producer Marc Platt, as well as members of the Boys and Girls Club of San Fernando and Malibu affected by the Los Angeles wildfires earlier this year.
Other cast members on the carpet included Martin Klebba, Lorena Andrea, Jason Kravits, Dujonna Gift, and Indriss Kargbo. Other cast members like Tituss Burgess, Andrew Barth Feldman, and Andrew Burnap did not attend the event.
According to a press release, guests at the premiere participated in activities including ‘forest friends grove with rabbits, professional glamour shots, a fairytale glam station, and opportunities to create your own jeweled crown, pocket mirror, and candy salad.’
The premiere comes amid continued controversy surrounding the remake of the iconic Disney classic.
The backlash began nearly four years ago when West Side Story actress Rachel Zegler, who is of Colombian descent, was cast as Disney’s original princess, most famous for having ‘skin as white as snow.’
The racist complaints are reminiscient of those that Halle Bailey faced after being picked to play Ariel in The Little Mermaid, with some fans being left outraged at Disney’s push for more culturally representative storytelling.
Snow White ran into more negative press coverage when Game Of Thrones star Peter Dinklage branded the studio ‘backwards’ for their decision to remake Snow White.
The actor, who has a common form of dwarfism known as achondroplasia, said he was ‘a little taken aback when they were very proud to cast a Latina actress as Snow White but you’re still telling the story of Snow White and the Seven Dwarfs.’
‘Take a step back and look at what you’re doing there. It makes no sense to me,’ he added on the WTF with Marc Maron podcast in January 2022.
Dinklage argued Disney was ‘progressive in one way’ and yet still making a ‘backwards story about seven dwarfs living in a cave together.’
Disney eventually clarified that the film was ‘taking a different approach with these seven characters’ and had been ‘consulting with members of the dwarfism community’ in order to ‘avoid reinforcing stereotypes from the original animated film.’
As well as dropping half the film’s original title, director Marc Webb opted to portray the characters using CGI– the depiction of whom was pulled apart when the Seven Dwarfs were first unveiled in the movie’s teaser trailer in August – after reports that Disney would be using diverse ‘magical creatures’ instead.
But even as this controversy unfolded, Zeglre faced more backlash after a series of flippant remarks she made at D23 in 2022, which made it clear she wasn’t a fan of the original story.
The 23-year-old (then 21) criticised the original film – released nearly 88 years ago, and based on the 1812 German fairy tale by the Brothers Grimm – as ‘dated’.
Zegler characterised the prince in Snow White as a ‘guy who literally stalks her’ in an interview with ExtraTV, calling it ‘weird’ repeatedly, while she also revealed in a separate interview with Variety that Snow White was ‘not going to be dreaming about true love’ anymore and rather ‘about becoming the leader she knows she can be and the leader that her late father told her that she could be if she was fearless, fair, brave, and true.’
The son of one of the 1937 film’s animators and supervising director, David Hand, also reacted poorly to Zegler’s remarks, seemingly horrified to hear of what may be sweeping changes to the original plot, saying Disney and his father would be ‘turning in their graves.’
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The White Lotus’ Sam Nivola comes from Hollywood and British comedy royalty (Picture: Jeff Kravitz/FilmMagic for HBO) The White Lotus has proven itself to be a great platform for young actors – and one of its budding stars has a very famous British parent. A […]
TVThe White Lotus has proven itself to be a great platform for young actors – and one of its budding stars has a very famous British parent.
A satirical black comedy, The White Lotus follows the exploits of rich guests who turn up at the titular luxury hotel resort, pulling back the curtain on their seedy private lives.
An anthological series, each season introduces an entirely new cast of super rich and super scandalous characters who come to stay at the White Lotus.
Which means it’s proven to be a great platform for young actors trying to make their break in a major American TV production – one of them being Stockport actress Aimee Lou Wood.
Another young face making himself known to audiences at this early stage in his career is Sam Nivola, who plays Lochlan Ratliff on the show.
Lochlan is one of the show’s main characters for season three, alongside esteemed actors such as Jason Isaacs, Carrie Coon, Walton Goggins, and Leslie Bibb.
But as well as rubbing shoulders with the famous cast, Sam also has a famous parent – he was also born in a London hospital and was raised in Notting Hill, despite his American nationality.
Sam’s famous mum is actress and filmmaker Emily Mortimer – Emily shares her son with husband Alessandro Nivola, and gave birth to Sam in 2003, when she was 32 years old.
Emily is a star of both the big and small screens, with her career having lasted more than 30 years since her 1994 debut on comedy drama Under the Hammer.
Her biggest TV roles include her work on political drama The Newsroom, British comedy Doll & Em, and the romantic drama The Pursuit of Love, which she also wrote and directed.
It was on the big screen where Emily really made her name, however, with roles in Notting Hill, the Scream saga, Shutter Island, Hugo, Mary Poppins Returns, the Cars trilogy, and most recently Paddington In Peru.
Emily and Alessandro were married in January 2003, having met each other on the set of 2000 film Love’s Labour’s Lost – Emily gave birth to Sam nine months later.
Sam spent his childhood in Notting Hill before the family moved to Brooklyn in New York City, studying at Saint Ann’s private school and then Columbia University.
He got his first acting role in Doll & Em and later starred in his mother’s production The Pursuit of Love before landing the role of Lochlan on The White Lotus.
His sister May – Emily and Alessandro’s second child – starred alongside Sam in the Noah Baumbach film White Noise in 2022 after she herself had also starred in The Pursuit of Love.
Speaking about being an entire family of actors and performers, Emily told The Times: ‘I guess we’re a … I don’t want to use the phrase ‘circus family’. That sounds a little bit depressing or pretentious. But we don’t know any different and we don’t know any better.’
‘As a family we’re all in it together. It just so happens that we’re all interested in a lot of the same things, have a lot in common, really like each other, and have a nice time together.’
Watch The White Lotus on Sky Atlantic and Sky Go.
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Holly Willoughby’s husband Dan Badlwin is reportedly involved in a complicated rights row (Picture: David M. Benett/Dave Benett/Getty Images) Holly Willoughby’s TV producer husband Dan Baldwin is reportedly embroiled in a dispute with Butlin’s over BBC show Gladiators. It has been claimed that Dan’s production […]
TVHolly Willoughby’s TV producer husband Dan Baldwin is reportedly embroiled in a dispute with Butlin’s over BBC show Gladiators.
It has been claimed that Dan’s production company Hungry Bear Media is in ‘a row’ with the holiday camp company after agreeing a licensing deal.
Under the agreement, Butlin’s is reportedly allowed to use Gladiators’ logo and branding for its Meet The Stars of Gladiators experience.
However, Hungry Bear Media only owns the TV rights, while entertainment giant MGM handles the logo and branding rights.
The Amazon-owned production and distribution firm is now reportedly banning the use of the Gladiators logo and costumes at Butlin’s.
Instead, Meet The Stars of Gladiators performers have been competing in black tracksuits at the Bognor Regis, Minehead and Skegness resorts.
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A source told The Sun: ‘It seems Dan’s Hungry Bear Media and Butlin’s have got into a row over this.
‘It’s resulted in the Gladiators coming out in an all-black outfit on a stage with no TV logos behind it.’
A spokesperson for Butlin’s told Metro: ‘We can confirm our ‘Meet the Stars of Gladiators’ experience is still very much taking place this year at Butlin’s.
Due to external commitments, they will no longer be appearing on a small number of dates and all impacted guests have been notified.
‘We’ve added in our exclusive Masked Singer Live show in its place. We are very sorry for any disappointment caused.’
MGM and Hungry Bear Media declined to comment when approached by The Sun.
Metro has also reached out to MGM, Hungry Bear and Butlin’s for comment.
Last month, it was reported that Dan and Holly’s media production and management firm Roxy Media was at risk of closure over an unpaid tax bill.
The company’s most recent accounts show it owed £329,715 in corporation tax for the year up to August 2023.
A hearing related to Roxy Media, which was founded in 2020, is scheduled to take place on April 16.
An HMRC spokeswoman said at the time: ‘We take a supportive approach to dealing with customers who have tax debts and only file winding-up petitions once we’ve exhausted all other options, in order to protect taxpayers’ money.’
Dan is considered one of the most influential and powerful executives in the British TV industry.
His career started at the BBC as a researcher on Live and Kicking before going on to produce shows like Celebrity Juice and Virtually Famous.
In 2014, Dan co-founded Hungry Bear with Juliet Denison Gay.
Holly and Dan met on the kids’ TV show Ministry Of Mayhem in 2004, which Holly co-hosted with Stephen Mulhern
They married in 2007 and share three children: Harry, 15, Belle,13, and Chester, ten.
Gladiators is available to stream on BBC iPlayer.
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Battlefield 6 does look good… at this point (EA) A reader struggles to be optimistic about Battlefield 6 and thinks EA has still not given up trying to turn the series into Call Of Duty. I’ve been looking at all the leaked gameplay videos for […]
GamingA reader struggles to be optimistic about Battlefield 6 and thinks EA has still not given up trying to turn the series into Call Of Duty.
I’ve been looking at all the leaked gameplay videos for Battlefield 6 this week with a mix of emotions. On the one hand they do look good but on the other hand I’ve been here before. Being a Battlefield fan must be like being a Sonic the Hedgehog fan, where you get excited about a new game when it’s first shown, you get worried when you learn more, and then you’re completely disappointed when it finally comes out. Before not learning your lesson and getting hyped for the next game anyway. The Sonic Cycle and the Battlefield Cycle are basically the same.
Believe it or not, there was a time when Battlefield 2042 looked really good and I thought it’d turn out well. Then the game came out and it was just a janky mess of random ideas shoved together with no care or thought. I think that was EA trying to get the game back to its mod roots, but it was so half-assed even they admitted it had been a failure within just weeks.
Younger gamers probably don’t think of Battlefield as being much of a fan game, or something that uses mods, but that’s absolutely how it started. I still remember playing Desert Combat on my old PC, which was my whole introduction to fan mods, online gaming, and how different PC gaming can be to anything on consoles.
Battlefield creator DICE were all about the community and using fan creations in the early days. Nowadays publishers use the word community when all they mean is people subscribed to their Twitter channel or something else easily controllable. But back in the day, when it was just Battlefield 1942, fans were stretching and twisting the game into whatever they wanted and DICE were right there egging them on.
Then EA bought DICE and things have slowly been getting worse ever since. It wasn’t obvious at first because Battlefield 2 and 3 were good, Bad Company too. There was less mods and it all felt more corporate but they still felt close enough to the original idea of what Battlefield 1942 was: a customisable war simulator that could do just about anything.
It was Battlefield 3 that started to change things though and with 4 it became a lot more obvious what EA were doing: they were trying to change it into Call Of Duty. They realised they were two different games, and they knew the size and scale of Battlefield was a selling point, but they still wanted to bring Battlefield closer in style to Activision’s games because, well… Activision’s games made more money.
Of course, it didn’t work. Trying to turn Battlefield into Call Of Duty is trying to pretend a steak and a hamburger are the same thing. They’re similar, of course, and both are good in their own right, but you can’t turn one into the other no matter how hard you try.
EA didn’t give up though. Like any publisher when they get an idea in their head (just think live service games) they just keep doing it again and again until either the fashion trend they’re trying to follow stops or they go under. Call Of Duty is still super successful, so I have no doubt that EA’s ultimate goal is still to replace it and part of the plan for doing that is by making Battlefield more like it.
That might not seem the angle at the moment but, like I said, I’ve seen all this before. The original formula for Battlefield will never be as successful as Call Of Duty because it’s too complicated and doesn’t work as well on consoles, so EA has to make it more like Call Of Duty to have a chance to succeed.
I believe we’ll see that as more of the game is revealed and when it comes out we understand exactly what it is. I mean, they’ve got a whole separate developer working on the story campaign and what Battlefield fan has ever asked for that?
EA just don’t get Battlefield. All they know is that it’s a military game that’s popular and that if they just change it enough it can be super popular and upend Call Of Duty. That hasn’t happened any time in the last two decades and I don’t think it ever will. Sadly, I think it will take EA completely ruining the Battlefield name before they give up.
By reader Lambda
The reader’s features do not necessarily represent the views of GameCentral or Metro.
You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot. Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email.
Hideo Kojima just can’t say no to more Metal Gear (Lorne Thomson/Redferns) A reader feels that Hideo Kojima is too obsessed with Metal Gear and that Physint and the cameos in Death Stranding 2 are a sign that he can’t move on from the series. […]
GamingA reader feels that Hideo Kojima is too obsessed with Metal Gear and that Physint and the cameos in Death Stranding 2 are a sign that he can’t move on from the series.
Hideo Kojima will be 62 this August and given how long modern games take to make I worry how many games he has left in him. I don’t mean to be morbid but looking at this list of games over the last 39 years it is disappointing how few different franchises he has worked on, despite having been in the business for nearly four decades.
The original Metal Gear was his second game and since that the only other things he’s worked on have been minor stuff like Snatcher, Policenauts, Zone Of The Enders, and Boktai. Everything else has been Metal Gear, right up until he left Konami and he made Death Stranding, which he followed up with… another Death Stranding.
And now we find out that Death Stranding 2 has a knock-off Solid Snake and Metal Gear REX in it. Plus, the other two games he’s making at the moment are a horror game called OD (no doubt inspired by his cancelled Silent Hills game) and Physint, which is… a homage to Metal Gear.
Kojima is his own man, with his own game studio, so he’s free to make whatever he wants, but I know I’m not the only one that views his gameography as a bit of a missed opportunity. There’s no doubting his unique talent and yet imagine if Steven Spielberg made nothing but Jaws sequels for almost his entire career. Even if they were all great, wouldn’t that be a bit of a waste?
Long before now, people have been saying that Kojima needs a producer and/or someone telling him no and I’m sure in this instance that person would’ve said, ‘Quit it with the Metal Gear obsession. Your whole life has been Metal Gear and saying you’re finished with the series and then coming back to it anyway.’
It’s a similar situation with developers like Naughty Dog, who are stuck doing the same thing because it’s popular. They don’t seem to want to make another The Last Of Us at all, but who really thinks they won’t anyway? Just because Sony will see it as something that has to happen, given its prestige and popularity.
But Kojima isn’t in that position and yet he keeps coming back to Metal Gear anyway, even though it’s nowhere near as big a seller as some of today’s games. I’m not even sure if younger gamers even know what it is, given the last one was 10 years ago now.
I feel a bit bad about complaining about this, because if he’s making the games he wants then it’s no business of mine. But as with everything it feels like if he had someone advising him, they probably would’ve encouraged him to try new things.
I love the Metal Gear Solid mainline games but there’s no pretending that he probably could’ve explored the same gameplay and story themes with different characters, that would’ve felt more fresh.
I can see why he didn’t, back in the Konami days, but to now make a spiritual sequel and add it into the sequel to Death Stranding (which didn’t need a sequel anyway), it just seems a bit of a waste.
I’m sure the Death Stranding 2 stuff will be some sort of meta commentary on his career and I’m sure it’ll either comes across as really profound or really silly. There’s never any middle ground with Kojima and that’s what I like about him. He’s someone that isn’t afraid to shoot for the stars and even if he doesn’t hit it’s always interesting. I’m just not sure it always has to be Metal Gear as well.
By reader Benson
The reader’s features do not necessarily represent the views of GameCentral or Metro.
You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot. Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email.