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FilmTom Cruise has set a record for the most burning parachute jumps by an individual (Picture: REUTERS) Tom Cruise has once again raised the bar for action stunts, this time by setting a new Guinness World Record for the most burning parachute jumps by an […]
FilmWhat exactly is going on with Saw XI? (Picture: Alexandro Bolaños Escamilla/Lionsgate) The Saw films were a staple of 2000s horror, introducing fans to the twisted, torturous traps of the iconic Jigsaw killer. Directed by James Wan and co-written with Leigh Whannell, the first film […]
FilmThe director of Opus has opened up about the preparation for his new movie(Picture: AP) Mark Anthony Green has opened up about his directorial debut, Opus, as he reveals why he wrote an entire bible about a made-up religion, in preparation for his movie. A24’s […]
FilmMark Anthony Green has opened up about his directorial debut, Opus, as he reveals why he wrote an entire bible about a made-up religion, in preparation for his movie.
A24’s new psychological thriller Opus stars Ayo Edeberi and John Malkovich and was released last week after initially debuting at the Sundance Film Festival.
The film focuses on a group of music journalists who are invited to pop sensation Alfred Moretti’s home to hear about his grand return to the industry after a long hiatus.
Of course, things take a very sinister turn and it appears that the group is very much in danger from Moretti’s sycophantic groupies who are called the Levelists.
The movie is a directorial debut for director Mark Anthony Green, known as MAG, who was previously a journalist at GQ for 13 years. Speaking in a candid interview with Metro, he explained why he needed to write an entire 350-page ‘bible’ in preparation for the film.
‘Let me tell you something, Lord, nobody wants to be like “I wrote a manifesto.”
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‘As a straight male, writing a manifesto? Now I’m on a list somewhere. I’m in terrible company.’
He then added that manifesto might be a strong term for what he created: ‘I wouldn’t call it a manifesto. It’s their [ the Levellists] Bible, basically the meditations of level.’
He explained that he felt this was necessary in order to ensure that he was informed when it came to working on set and explaining the behaviours of the religious group.
‘I just felt like, you know when you’re on set, you’re making a film, you’re constantly being asked questions. Like the director’s cliche of like, “I answered 100,000 questions today,”
‘I knew who Moretti was, I knew who Ariel was. I knew the story we were telling, but the religion, it felt like it was going to be such a source of the decision-making that I wanted to have it fully fleshed out.’
When asked if he handed out this bible to the cast, Green had a quick response.
‘Oh, I will never put it up. No one’s seeing that.’
‘I don’t want to make a religion and I would be heartbroken if somebody used it to do something awful.
‘I didn’t give it to any of the actors, or to any of the crew or anything. I wrote it. I believed in it,’ he quickly clarifies, ‘I didn’t believe the religion. But I was like, “This feels very real. I think this would this would stand up.”
Speaking to Metro, Murray Bartlett who plays Stan Sullivan in the film revealed that his character was inspired by a real man who worked at Rolling Stone magazine.
The actor said: ‘He was sort of based on someone who started and ran the Rolling Stone for a very long time. And not specifically, just a compilation of those kind of guys that are sort of in that old boys’ club.
‘The ones that have been in the music business for a long, long time. And, you know, feel kind of entitled in their position.’
‘Nobody is based on one person,’ Green agreed, but added that many of the characters were inspired by the people he worked with throughout his journalism career.
‘I’m not young anymore, but when I was a young journalist, I had those kind of interactions. So I wanted him to feel real.’
He described the character as being the archetype of a music editor who might say ‘No one makes albums anymore’ and believed the old ways of the music industry were far superior than today.
‘I think we all do this, where whatever you live through, that is what you think is the better way to do it.
‘So [the character archetype] was there at Rolling Stone during the time MTV was the authority on music videos, and the goal was to make an album with no skips, and it was about the album and living with it. ‘
‘Murray’s character is the easiest to get wrong in this movie because it so quickly could become a heavy-handed caricature,’ he said. ‘Microaggressions are really everything with that person and he did an amazing job.’
The film is a criticism of celebrity culture, and Green explained that he hopes that the movie sparks a conversation about tribalism and how we treat those who have fame and influence.
‘I think that it is this global pandemic of tribalism. It spans well past entertainment, and there are these icons, human figures, that being, believing in them, has become our entire identity.
‘I don’t have the answers. I’m an artist. I made a film that is super fun and provocative and evocative of whatever emotion. And I just want people to ask the questions. Chief among those questions is: does this thing still serve us? Has this gone too far? Are we entirely too divided because of tribalism? ‘
He added: ‘I hope people go and enjoy themselves first and foremost, and then hopefully talk. Talk it out with people who are way smarter than me, and I hope some answers come from it.’
Opus is in cinemas now.
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Left 4 Dead is still a classic (Valve) A reader who is unable to meet friends and families for local co-op recommends the 10 best co-operative games for playing with them online. Whilst I enjoy a good single-player game as much as anyone, there is […]
GamingA reader who is unable to meet friends and families for local co-op recommends the 10 best co-operative games for playing with them online.
Whilst I enjoy a good single-player game as much as anyone, there is still nothing quite like sharing that experience with a family member or friend.
Due to geographical reasons I’m pretty much limited to online co-op these days, but there are still plenty of great options available to choose from.
So, for those of you in the same boat as me, here are my top 10 recommendations for online co-op games that you can still play right now on modern consoles and/or PC.
10th – BattleBlock Theater
A 2D platformer featuring great level design and puzzles, specifically designed to encourage co-operation, BattleBlock Theater is also one of very few games that consistently made me laugh thanks to both its comical gameplay and funny cut scenes. This can often be found in Steam sales for the bargain price of about £3.
9th – Halo 3
The majority of the Halo campaigns are pretty good, whether played alone or with friends, but I think the popular opinion amongst fans is that Halo 3 is still the best the series has to offer. The campaign hardly seems to stop for breath throughout its 8 to 10 hour runtime, and from the fight through the Covenant armada to mad warthog escape of the final mission it’s full of memorable moments that are even better when played co-op.
Tied 8th – It Takes Two & Split Fiction
Games designed from the ground up as true co-op experiences are still far more uncommon than you’d expect, but developer Hazelight Studios seems to be carving out a nice niche for themselves thanks to games like It Takes Two and Split Fiction. Both games constantly introduce new ideas and gameplay styles throughout their runtime, but importantly never lose sight of the fact that they are designed to be played together. I’ll certainly be checking out whatever they come up with next!
7th – Portal 2
I’ve enjoyed very few entries in the puzzle genre over the years, but the two Portal games are amongst the rare exceptions. Of course, most people realise they’re excellent single-player titles, but I’m constantly surprised at how many people don’t know Portal 2 features a separate story designed to be played co-op. Considering just how well designed and rife for comedy the co-op missions are that’s a real shame and I urge anyone to give it a try if they have the chance to.
6th – Borderlands 2
I must admit, I never really got on with the original Borderlands, but this vastly superior sequel provided dozens of hours of entertaining online gaming. The more versatile skill trees and better mission design are welcome improvements, but it’s the genuinely funny script that focuses on the brilliant character of Handsome Jack that really sets this game apart from all the other entries in the series.
5th – Divinity: Original Sin 2
Until another game that features later on this list was released, Divinity: Original Sin 2 was possibly my favourite role-playing game and certainly my favourite that features online co-op. The story, characters, combat, and level of freedom are all top notch and sharing it all with up to three friends makes it even more fun.
4th – Returnal
Arguably the best PlayStation 5 exclusive, Returnal is a third person rouguelike shooter with incredible shooting mechanics and some of the most satisfying traversal you’ll find anywhere. The game is, however, incredibly tough, and thus the best way to play it is to team up with an online co-op partner to swing the odds at least a little more in your favour!
3rd – Baldur’s Gate 3
Baldur’s Gate 3 is arguably the best role-playing game ever made, with a myriad of complex systems and an almost unfathomable level of freedom that allows players to shape the world in whatever way they choose. When you add the unpredictability of other players making their own choices on top, it’s simply an incredible experience.
2nd – Left 4 Dead & Left 4 Dead 2
There are plenty of shooters that allow online co-op but the two Left 4 Dead games remain the pinnacle of the genre, and there are two aspects that really set these games apart. The first is the excellent enemy design, that forces players to stick together and co-operate, whilst the second is the final chapter of each mission that tasks players with surviving for a set amount of time before trying to escape to safety. The mad dash at the end, as it suddenly becomes every man for themselves, has provided countless moments of comedy over the years and kept us coming back time and time again.
1st – Dark Souls
I’ve listed the original Dark Souls as it’s my personal favourite, but this really represents the entire Dark Souls series, as well as Bloodborne and Elden Ring.
The FromSoftware games are all great single-[layer games that are only enhanced by the clever implementation of online co-op, that allows you to summon assistance whenever you’re struggling to defeat a tough enemy or traverse a difficult section of the game. When you and a buddy finally take down that boss after the tenth attempt it’s an exhilarating experience.
Honourable mentions: Gears Of War series, A Way Out, Salt And Sanctuary, and BroForce.
By reader drlowdon
The reader’s features do not necessarily represent the views of GameCentral or Metro.
You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot. Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email.
The next Xbox probably won’t be a traditional console (Microsoft) A reader reacts angrily to suggestions that the next gen Xbox is a ‘PC in a box’ and argues Xbox is trying to destroy the whole concept of video game consoles. There’s been a lot […]
GamingA reader reacts angrily to suggestions that the next gen Xbox is a ‘PC in a box’ and argues Xbox is trying to destroy the whole concept of video game consoles.
There’s been a lot of people lately lamenting the current state of Xbox, and for obvious reasons given how bad console sales are getting. What annoys me though is the way they talk about Microsoft, as if they’re some kind of loveable loser who you should pity. Microsoft’s attempts at dominating the games industry are pitiable but their actions are hardly that of a helpless underdog.
They’re the biggest company in the history of mankind and while they’ve been entirely incompetent in the way they’ve used their colossal $3 trillion bank balance they’ve also been extremely destructive. At some point in the Xbox One generation they must’ve decided that if they can’t beat Sony fairly then they’ll just tip the table over and ruin the game(s industry) for everyone.
Almost $100 billion later and they now own Activision Blizzard, Bethesda, and a bunch of others and they’ve… completely failed to put their stamp on them. Nothing has changed about how these companies are run, or what games they make, but suddenly Phil Spencer and his cronies have started talking about what ‘we’ are going to do, when discussing them. As if he or anyone else has had any impact on their success and/or failures.
We know from the court cases that the original plan was to make all Bethesda games exclusives, just like Starfield, but clearly someone higher up, probably Microsoft boss Satya Nadella, told them that wasn’t going to work. They’ve spent all this money and there’s no way they’re going to get any of it back by only selling games as Xbox exclusives.
They’ve not tried that with any Activision games, because the message had already sank in by then, and instead they pivoted to their multiformat plan (which they’ve lied about and tried to underplay the entire time, even with petty things like not releasing the games physically).
And now we learn that their big plan for the next gen is a PC in a box, a PC handheld, and AI. So they not only no longer make consoles they’re trying to make the entire concept of consoles go away, so that they can pretend that actually they’re irrelevant now and it doesn’t matter that nobody bought theirs.
What gets me though is that the first two things have already been proven not to work. Valve’s Steam Machines concept flopped horribly and the entire concept is fundamentally doomed to be the worst of both worlds. Not only that but the latest rumour suggests it won’t even be properly backwards compatible – only through emulation!
We also know that PC handhelds are extremely niche concept, that have only sold a few million in the entire lifetime of the concept. Presumably Xbox thinks they can make theirs more successful but what is that based on? The Xbox brand being so super popular they’ll go from Steam Deck numbers (4 million) to Nintendo Switch numbers (150 million). If they really do think that they’re more delusion than they seem.
And then there’s AI, which for no reason other than it’s an investor buzzword, they’re now going to use to make games. They know it’s only going to make bad games. They know it’s going to do talented people out of a job, but they’re going to push it anyway because they’ve got loads of money and Sony hasn’t.
They’re just going to do everything Sony can’t, no matter how stupid or destructive it is, as they flail about, throwing everything at the wall and hoping that finally, for the first time in two generations, something sticks.
Not only is Microsoft betraying the whole concept of consoles, they’re doing it on purpose in an attempt to make Sony obsolete. If I was Sony I wouldn’t be too worried, given Xbox’s track record, but if they do succeed what will the future of gaming be under Microsoft? AI slop and PCs in a box. I hope they fail utterly, for the sake of all gaming.
By reader Korbie
The reader’s features do not necessarily represent the views of GameCentral or Metro.
You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot. Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email.
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Despite the acclaim and huge attention on leading man Robert Pattinson, Mickey 17 is projected to lose millions at the box office.
The space satire, directed by Parasite’s Bong Joon Ho, sees the Twilight legend play Mickey, a down-on-his-luck guy who signs up to become an ‘expendable’ – a disposable clone worker.
However, when two Mickey clones meet chaos ensues as they attempt to stay alive despite rules stating only one can exist at a time.
Also starring big names like Mark Ruffalo, Naomi Ackie, Steven Yeun, and Toni Collette, the film was anticipated to be a smash hit.
However, it appears to be failing to attract viewers at the box office as it is projected to lose $75,000,000 (£57,957,575), according to Variety.
Two weeks after opening, the film has grossed $35.7million (£27million) in the US and $92.2million (£71million) worldwide — falling short of its budget.
Mickey 17 had a production budget of $118million (£91million), with Variety claiming its ‘breakeven’ point is at $300million (£231million).
However, fans have pointed out that box office is no longer an accurate view of a film’s success thanks to streaming.
FilmCrave on X claimed that Mickey 17 would be hitting streaming, likely HBO’s Max as a Warner Bros film, as soon as March 25.
This would be just 18 days after its initial release, an unprecedentedly short theatrical lifespan for such a huge blockbuster.
Fans were up in arms at the prospect, begging for movies to be given room to breathe and let an audience build organically.
‘We are actively just killing movie theaters wtf is this less than 20 days???’ wrote minergirlsof on X.
‘Mickey 17 literally just came out. We need to bring back the days films stayed at the cinema for 6 weeks+ instead of being rushed to digital. At least give people the chance to watch them on the big screens,’ said EmiEleode.
Artan_ayan added: ‘This industry is so cooked. there are countries who haven’t even seen it released in cinemas yet. This is the return of a literal oscar winning director, starring one of our generation’s most recognized actors.
‘If any film should be seen on a big screen, it’s this one. beyond bleak.’
Cinema attendance in the UK has been on the decline in recent years, dropping 30% since 2019, according to Statista.
This has been put down to a combination things including fans having less spending money, ticket prices rising and the rise of streaming.
An audience which would have once waited half a year before getting their hands on a DVD now only needs to wait a handful of months to see it on the streaming service they already pay for.
Watching from home is far more cost-effective, and offers the audience the chance to pause and be distracted — a less indulgent viewing experience but highly compelling.
Warner Bros have not confirmed the film will leave cinemas any time soon, with theatrical release usually lasting at least two months.
However, fans’ outrage points to growing discontent at the urge to dismiss films as flops if they are not instant successes.
Bong’s acclaimed Parasite had an opening box office of $393,216 (£300,000) in just three theatres in the US before going on to be Oscar-winning and grossing $258,129,000 (£199,437,000) worldwide.
Perhaps, when given more time Mickey 17 will find its audience, even if that audience is from a streaming platform.
Mickey 17 is in cinemas now.
Got a story?
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The best deal in the universe (Picture: EA) Remasters of three of the best sci-fi games ever made have been reduced to a bargain price on both PS4 and PC. BioWare has a long history of acclaimed role-playing games, including the recent Dragon Age: The […]
GamingRemasters of three of the best sci-fi games ever made have been reduced to a bargain price on both PS4 and PC.
BioWare has a long history of acclaimed role-playing games, including the recent Dragon Age: The Veilguard, but its greatest work is still arguably the Mass Effect trilogy.
The sci-fi role-playing series is one of the defining pillars of the Xbox 360 and PlayStation 3 era, and set a new standard for choice-driven narratives in the medium (controversial ending aside). The original trilogy came to an end with 2012’s Mass Effect 3, which was followed by the much maligned spin-off Mass Effect: Andromeda.
A remastered compilation of the first three games, titled Mass Effect Legendary Edition, was released in 2021, across PlayStation 4, Xbox One, and PC. If you’re yet to embark on the space epic, this collection has now been reduced to a ludicrously cheap price.
On Steam, you can pick up Mass Effect Legendary Edition for £4.99, a 90% reduction from its original £49.99 price. This deal runs until March 27 and is part of an EA Spring Sale, with other standouts offers being Star Wars Jedi: Fallen Order at £3.49 and Titanfall 2 at £2.49.
While not quite as cheap, a similar deal is available on the PlayStation Store, where Mass Effect Legendary Edition is down to £5.99. Star Wars Jedi: Fallen Order is also down to £4.49, with both these deals running until March 26.
If you’re a fan of sharp comedowns, Mass Effect Andromeda is also 85% off on Steam at £5.24. Alternatively, you can sign up to EA Play for £5.99 a month and access all of these titles, but as the Mass Effect series is pretty lengthy, you’re probably better off buying them at this cheap price and savouring the delights over time.
EA is working on a fifth instalment in the Mass Effect series, although it’s unclear when it will be released. The project was announced back in 2020, but there have been no major updates since, aside from vague teasers.
It’s more likely we’ll see the confirmed Mass Effect TV series before a new game, which is supposedly underway at Amazon. Daniel Casey, whose previous credits include Fast & Furious 9, is set to write and executive produce the show.
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“HAUTE COUTURE,” the new single from Rhea Raj and Aliyah’s Interlude, is all about dressing up, showing out and taking up space. Built on booming club drums and confident verses, it’s a fashion-forward flex track that doesn’t take itself too seriously — perfect for strutting […]
Music“HAUTE COUTURE,” the new single from Rhea Raj and Aliyah’s Interlude, is all about dressing up, showing out and taking up space. Built on booming club drums and confident verses, it’s a fashion-forward flex track that doesn’t take itself too seriously — perfect for strutting into the party like you own it. The music video, premiering today on PAPER, brings that energy to life with gritty-meets-glam visuals and a clique you’ll want to be part of.
“This is the soundtrack for when you walk into the club and everybody breaks their neck to get a look at you,” Raj tells PAPER. The song kicks off a new era for the rising pop artist, who says it’s the first single from her upcoming project and a preview of what’s to come as she gears up for more shows and festival dates.
The music video doubles down on the drama, blending warehouse party vibes with stylized choreography, bold statement looks and New York edge. “In my verse, I ask ‘wanna join my clique?’” Raj says. “I wanted to give the fans a look into that.” The result is a maximalist meet-up set against an industrial backdrop — a nod to nights out in the city and the community that fuels them.
Raj and Aliyah each rock a single standout look in the video, which meant hunting for the right outfit was its own challenge. “Fortunately, my girl Rumsha Hassan came through with the fits, and my glam team Emilia and Grissel killed it with the custom glitter lashes and tiger-striped hair,” Raj says.
From the beat to the beauty looks, “HAUTE COUTURE” is all about intention — a pop fantasy rooted in real confidence. “I wanted to make a song that spoke my dream lifestyle into existence,” Raj says. Consider this your invite to the clique.
What was the inspiration behind the song?
I wanted to make a song that spoke my dream lifestyle into existence. Aliyah and I are both passionate about expressing our identities through statement looks that make us feel confident, so naturally we had to make an anthem about it.
How did you translate the song into the video?
In my verse, I ask, “Wanna join my clique?” I wanted to give the fans a look into that. I got all my hot dancer friends together and threw a warehouse party. Maximalist, opulent looks against a gritty setting inspired by many of my New York nights.
What are some challenges or highlights from creating the music video?
Aliyah and I intentionally wanted to have one statement look, so finding the perfect outfit was a challenge initially. Fortunately, my girl Rumsha Hassan came through with the fits and my glam team Emilia and Grissel killed it with the custom glitter lashes and tiger-striped hair.
How do you hope fans feel when they hear it?
This is the soundtrack for when you walk into the club and everybody breaks their neck to get a look at you. It radiates main character energy.
What are you working on and excited to share with fans next?
“HAUTE COUTURE” is the first single from my upcoming project, bringing in a whole new era that I can’t wait for my fans to experience. I’ll be doing a lot more shows and popping out at festivals this year to bring it all to life on stage.
Photography: Marina
Out of the shadows (Ubisoft) Ubisoft’s decision to delay Assassin’s Creed Shadows appears to have paid off, as the Japanese themed entry hits a major sales milestone within 24 hours. The lead-up to Assassin’s Creed Shadows was filled with overblown controversies, troubling delays, and the […]
GamingUbisoft’s decision to delay Assassin’s Creed Shadows appears to have paid off, as the Japanese themed entry hits a major sales milestone within 24 hours.
The lead-up to Assassin’s Creed Shadows was filled with overblown controversies, troubling delays, and the weight of Ubisoft’s future thrusted upon it, but it seems like it has emerged out the other side in relatively good shape.
The setting of feudal Japan features two protagonists, with shinobi Naoe and samurai Yasuke, as they navigate turbulent clan wars during the Sengoku period. The game has been been met with largely positive reviews, and currently hold an 81 score on review aggregate site Metacritic.
And now, less than 24 hours after Assassin’s Creed Shadows launched on March 20, Ubisoft has announced that it’s already surpassed one million players across PlayStation 5, PC, and Xbox Series X/S.
The vast majority of these players appear to be on console, where it’s more difficult to track exact numbers.
However, according to SteamDB, Assassin’s Creed Shadows hit an all-time peak of 41,412 players on launch day, and while that may seem low in comparison to the likes of Monster Hunter Wilds and GTA 5, it’s largely in step with past Assassin’s Creed games.
At the moment, Assassin’s Creed Shadows is just behind Assassin’s Creed Odyssey (62,069) and Assassin’s Creed Origins (41,551) in terms of the series’ highest peak on Steam, but there’s a strong chance it’ll surpass both of those over the weekend.
The game has been met with largely positive reviews from fans, particularly for its visuals. ‘I am nine hours into Assassin’s Creed Shadows, and it’s definitely the best RPG Assassin’s Creed,’ wrote EliteGamer04 on X.
‘Both Naoe and Yasuke are fun to play, this game looks quite great on my base PlayStation 5, and it’s definitely the most challenging in terms of combat.’
It's not even 4PM here in Canada and Assassin's Creed Shadows has already passed 1 million players!Thank YOU from the bottom of our hearts for joining this adventure in Feudal Japan. We are beyond excited to start this journey with you! 💝 pic.twitter.com/1cqwABrQfN
— Assassin's Creed (@assassinscreed) March 20, 2025
Casual Gamer Doc added: ‘Assassin’s Creed Shadows is definitely worth playing. The game is absolutely a standout graphically. Best Assassin’s Creed game in a long time.’
Users on Reddit have sung its praises too, at least in regards to the opening hours. ‘Shadows probably has the best opening to an Assassin’s Creed game since Odyssey, and the cut scenes themselves so far have been stellar,’ writes DanielG165.
It remains to be seen if this enthusiasm will continue in the weeks to come, but for now at least, it seems like Assassin’s Creed Shadows has largely confounded the cynicism around it.
The big question moving forward is how it will impact Ubisoft’s future. After a string of titles failed to meet financial expectations, including Star Wars Outlaws and XDefiant, the company is apparently considering a buyout with Tencent, or shifting its IP to an entirely new entity.
The continued success, or lack thereof, for Assassin’s Creed Shadows will have large part to play in how all that shakes out.
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It’s hard to believe that got there by accident (Microsoft) Microsoft has accidentally revealed its next gen Xbox plans, which seem to revolve around Steam integration and a move away from console development. Microsoft has said almost nothing about its next generation Xbox console so […]
GamingMicrosoft has accidentally revealed its next gen Xbox plans, which seem to revolve around Steam integration and a move away from console development.
Microsoft has said almost nothing about its next generation Xbox console so far and yet the rumours of the last few weeks, suggesting that it is essentially a ‘PC in a box’, have been very easy to believe.
The rumours may not be officially confirmed for a while, but they almost were on Thursday evening, when Microsoft accidentally put up a graphic showing an Xbox dashboard with a Steam tab on it.
Not only that but a few hours later a report emerged that Microsoft is planning to ditch the current ERA development environment of the Xbox Series X/S in favour of Win32, making the next Xbox literally a PC and meaning that current gen games will only be backwards compatible via emulation.
Microsoft has already talked about ‘bringing the best of Xbox and Windows together’ but until now it’s never been clear what that means.
However, a blog post entitled Opening a Billion Doors with Xbox accidentally used an image of an Xbox dashboard in which you could clearly see a ‘Steam‘ tab, although it was not selected or referenced in the text.
The UI is brand new and is shown running on a TV, a tablet, and a handheld device. It’s clearly just a mock-up though as the Owned and Action-adventure tabs are both shown twice, so there is a possibility the Steam tab was a mistake – although someone still went to the trouble to create the Steam tab for the purposes of the image.
According to The Verge, Microsoft’s current plan is to create an Xbox app that shows every game you have installed on your PC, including from other launchers such as Steam and the Epic Games Store.
How much Valve and Epic are currently on board with this is unclear, with the app apparently being fairly early in development and not guaranteed to launch with those features.
A response to the unintended leak from Windows Central suggests that Microsoft’s attempts to embrace PC gaming with the Xbox brand go even deeper.
It’s claimed that the bespoke ERA development environment for Xbox One and Xbox Series X/S is being phased out in favour of the standard Win32 environment for PCs.
The implication is that this is preparation for the next gen Xbox console, which increasingly sounds like it’s going to be more like a branded PC than a traditional console.
One of the differences this will make to ordinary gamers is that automatic backwards compatibility with previous consoles will become impossible and they’ll have to be emulated instead, which often results in technical issues.
The aim seems to be to get every Xbox game that you own also playing on PC. Although, as Windows Central points out, this could run into legal complications with third party publishers.
While the leak is obviously real, since it comes from Microsoft themselves, it’s unclear how much of it is aspirational and whether it is a concrete plan for the next generation.
Given the ever declining sales of Xbox consoles, and the recent rise in popularity for PC gaming, it certainly makes sense for Microsoft to go on in this direction, even if it’s still unclear exactly how the details will play out.
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There are a lot of excellent horrors arriving in 2025 (Picture: Shutterstock/ YouTube) If horror cinema is your thing, 2025 has a plethora of frights and delights coming to the big screen. Last year was stellar for the world of horror, with Demi Moore’s body […]
FilmIf horror cinema is your thing, 2025 has a plethora of frights and delights coming to the big screen.
Last year was stellar for the world of horror, with Demi Moore’s body horror The Substance garnering five Golden Globe nominations – one of which Demi won at this year’s ceremony – and gory slasher sequel Terrifier 3 smashing box office records.
Longlegs, Heretic, Alien: Romulus, Strange Darling, Smile 2, and Immaculate all hit the big screen in 2024 to delight fans of all things frightening.
And 2025 isn’t showing any signs of slowing down, with several exciting horror titles coming to cinemas in the coming months.
We have everything from a remake dubbed a ‘modern masterpiece’, another Universal Monsters flick, video game adaptations, and even an A24 unicorn horror to sink our teeth into this year.
Here, we’ve rounded up the horror films hitting our screens in 2025 for you to get excited for – get marking your calendars.
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Paul Rudd, Jenna Ortega, Richard E Grant, and Will Poulter are set to commit crimes of the magical variety in what could be 2025’s weirdest film.
Death Of A Unicorn, directed by Alex Scharfman, will follow a man and his daughter who accidentally crash into and kill a unicorn while driving through a remote forest.
As scientists experiment on its body, a herd of unicorns track down their fallen friend and seek vengeance on those behind its death.
In January 2024 it was announced a film adaptation of the hit 2015 horror game Until Dawn was in the works, set to hit cinemas in 2025.
The game tells the story of a group of friends who reunite in a remote mountain home one year after two of their friends, Hannah and Beth, went missing.
Peter Stormare will reprise his role of Dr Alan J Hill from the games in a cast made up of Ella Rubin, Michael Cimino, Ji-young Yoo, and Odessa A’zion.
More than 10 years after last being in cinemas, horror fans are finally getting a new Final Destination film.
Filmed before his death in 2023, the late Tony Todd returns to his role as William Bludworth in a cast including Brec Bassinger, Richard Harmon, Owen Patrick Joyner, and Rya Kihlstedt.
Little information is available as yet about the film, though creator Jeffrey Reddick told Dread Central: ‘I will say that it’s not just going to be another kind of “we set up a group of people, they cheat death, and then just death gets them.” There’s one wrinkle that we kind of added to every movie to kind of like change it up a little bit: this one is… a true Final Destination movie, but it doesn’t follow that kind of formula that we’ve kind of established… I think I can say that much.’
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Final Destination isn’t the only iconic horror film receiving the sequel treatment in 2025 as 28 Years Later is finally released.
The third installment in the franchise reunited writer Alex Garland, director Danny Boyle, and original star Cillian Murphy alongside the likes of Ralph Fiennes, Aaron Taylor-Johnson, and Jodie Comer.
Rumours of the film had been brewing for 12 years since the release of 28 Weeks Later, and the terrifying first trailer released last year gave fans their first glimpse of a Rage-ravaged world after 28 years, with one zombie causing quite a stir.
Continuing the summer of sequels in M3GAN 2.0, the follow-up film to 2022’s viral android horror.
M3GAN ended with the titular doll destroyed by its creator, Gemma (Allison Williams) and her niece Cady (Violet McGraw) after the AI became sentient and deathly possessive over the child.
Plot details have been kept tightly under wraps, but with Williams and McGraw returning to their roles, it seems the doll isn’t quite done with them yet – nor their other smart tech appliances if the first film’s ending is anything to go by.
It’s the year of legendary horror franchises making their cinema return as the 1997 classic I Know What You Did Last Summer gets the reboot treatment.
It was previously confirmed that Freddie Prinze Jr would be reprising his role as Ray Bronson for a new sequel, though it has not yet been revealed what the storyline will be.
Jennifer Love Hewitt, who played Julie James in the original film and one of its sequels, will also be following suit.
Together’s trailer has been released and stars real-life married couple Dave Franco and Alison Brie, and is directed by Michael Shanks.
The synopsis of the film reads: ‘After moving to the countryside, a supernatural encounter starts to transform a couple’s love, their lives, and their flesh.’
After premiering at Sundance, the film has received rave reviews from critics and a 100% ranking on Rotten Tomatoes.
The Conjuring is the highest-grossing horror franchise ever created, and it’s set to become even bigger with a ninth instalment.
Michael Chaves is back in the directing chair with Vera Farmiga and Patrick Wilson returning as Lorraine and Ed Warren respectively in what is said to be the final film in the main Conjuring timeline.
While plot details have been kept secret, we do know Ben Hardy and Mia Tomlinson are set to star, and it is rumoured they will appear as adult versions of the Warrens’ daughter Judy Warren and her husband Tony Spera.
Alongside the IT prequel series Welcome To Derry coming to our screens in 2025, another story inspired by the world of Stephen King hits the big screen.
The Black Phone, written by King’s son Joe Hill, was adapted into a film in 2022, and its sequel comes to cinemas just in time for Halloween.
Mason Thames, Madeleine McGraw, Jeremy Davies, and Ethan Hawke will all reprise their roles, with Scott Derrickson once again directed.
Rounding out 12 months of horror for 2025 (so far) is the second Five Nights At Freddy’s film in what appears to be a year of sequels.
The extensive gaming franchise means there’s plenty of material to draw from, but it is not yet known exactly what will happen in the follow-up to the2023 film.
Scream icon Matthew Lillard is set to reprise his role as William Afton despite his character dying in the first film – though it’s unknown exactly how he will appear, whether it as a main character or during flashback sequences.
Classis horror novel Frankenstein is being adapted not once, but twice in 2025 – this time by genre maestro Guillermo Del Toro with a cast including Oscar Isaac, Mia Goth, Jacob Elordi, Christoph Waltz, and Charles Dance.
It is based on Mary Shelley’s 1818 novel in which Dr Frankenstein defies the laws of nature while striving to create life from death, resulting in the inception of a terrifying yet misunderstood creature.
Originally slated to go straight to Netflix, Del Toro confirmed in 2024 that Frankenstein will be receiving a theatrical release, likely sometime in November.
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James Bond is going to be with us again by ‘the end of 2027’ (Picture: Col Pics/Everett/REX/Shutterstock) Following Amazon’s shock takeover, James Bond bosses have been given a £250,000,000 budget and three years to get the next film on the big screen, it is reported. […]
FilmFollowing Amazon’s shock takeover, James Bond bosses have been given a £250,000,000 budget and three years to get the next film on the big screen, it is reported.
2021’s No Time To Die, which was Daniel Craig’s last outing as 007, was budgeted £30million less than the upcoming James Bond film.
This next installment is going to be fast-tracked, with Amazon aiming for it to hit cinemas by the end of 2027, it is reported.
A source told The Sun: ‘The Bond bosses had already proposed broad plots and reboot ideas.
‘The writers’ rooms are being assembled in the hope of recouping their investment ASAP.’
Last month Bond fans were shocked after Barbara Broccoli and Michael G. Wilson handed creative control of the franchise over to Amazon after decades in a reported $1bn (£790m) deal.
Craig portrayed Bond for 15 years, making him the longest serving actor in the role, but in 2017announced his next would be his final outing as the suave spy.
Ever since, speculation has been rife about who will step in Craig’s shoes, with names including Superman star Henry Cavill, Nosteratu’s Aaron Taylor-Johnson, Happy Valley’s James Norton, and Bridgerton heartthrob Rene-Jean Page.
Others who have odds at 9/1 or less at the moment include Game of Thrones star Richard Madden, Josh O’Connor, Slow Horses star Jack Lowden, Paul Mescal after his Gladiator stint, and Callum Turner.
The news of Amazon MGM Studios taking creative control over the beloved films has caused some outrage among fans and stars, who worry it will change.
Bond Girl Valerie Leon, now 81, blasted the move during an appearance on Good Morning Britain.
‘I think it’s madness, absolute madness. We all enjoy Bond as it was. Daniel Craig was killed off in No Time To Die, and I just don’t understand,’ she said.
‘Of course, money was involved and that’s why Amazon have taken it over. It’ll never be the same again, ever.’
Until now, the final say on key production issues went to producers and half-siblings Michael and Barbara, the children of famed Bond producer Albert ‘Cubby’ Broccoli.
The Amazon studio now owns 50% of the franchise, with Barbara, 64, and Michael, 83, maintaining co-ownership status.
However, creative decisions have been handed over as the siblings look to other projects and Michael takes a step back from filmmaking into retirement.
In December, a report in the Wall Street Journal, pointed at growing tensions as the producer believed she could ‘hold Bond hostage from Amazon for as long as she sees fit’.
The report claimed she didn’t see the studio as a good fit and she was quoted saying: ‘Don’t have temporary people make permanent decisions’ — something her father once said.
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