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FilmGame Of Thrones: Kingsroad – exactly what you’d expect (Netmarble) This month’s most interesting smartphone gaming apps includes a new Game Of Thrones adaptation and a gacha free version of Puzzle & Dragons. Getting things for free is great. The trouble is that, as the […]
GamingThis month’s most interesting smartphone gaming apps includes a new Game Of Thrones adaptation and a gacha free version of Puzzle & Dragons.
Getting things for free is great. The trouble is that, as the old adage says, there’s no such thing as a free lunch, a concept mobile gamers will be more than familiar with. Games that are free to download tend to extract their pounds of flesh through ads, microtransactions, or an unholy union of the two.
That doesn’t mean all mobile publishers are equally tawdry in their pursuit of revenue. Where Game Of Thrones: Kingsroad and Chainsaw Juice King beat you around the head with tediously relentless sales pitches, long awaited prequel Puzzle & Dragons 0 shows there are more player-friendly routes to monetisation.
Then again you could just pay upfront and enjoy the delightful Follow The Meaning or Rusty Lake’s genuine freebie, The Mr Rabbit Magic Show.
iOS & Android, free – remove ads £9.99, unlimited stamina £9.99 (GungHo Online Entertainment)
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Puzzle & Dragons featured a compelling blend of match-three puzzling and combat, your match-ups and the resulting combos triggering damage to colourful assailants.
Puzzle & Dragons 0 retains most of the original’s look, feel, and mechanics but removes its gacha elements. Now you add new monsters to your team using the crystals you win by completing dungeons.
It’s just as monumentally complex though, the interlocking sets of skills and team buffs taking a great deal of time and instruction to even start getting the hang of. You’ll also need to watch a fair number of ads to stay competitive, although none are forced on you.
It’s not easy reviewing games designed to be played for literal years, because they tend to change qualitatively as you master skills and inch your way up their mountains of content, but in this case the intricacy, level of polish, and only two options for in-app purchases are promising signs.
Score: 7/10
iOS & Android, £2.99 (Second Maze)
With a charming art style slightly reminiscent of Machinarium, Follow the Meaning is a partially animated point ‘n’ click adventure with a lovely handmade feel about it.
Both its plot and limited amount of text-only dialogue are deeply surreal, centring on your investigation of a small town’s problem with three-eyed mutants who mostly come out at night, and whom most people are scared of. You’ll need to solve a range of simple puzzles using light deduction, a bit of trial and error, and a touch of dragging items from your inventory.
A few of its puzzles are a bit abstruse, but there are walkthroughs online if you get horribly stuck and the whole thing has such a unique atmosphere it’s worth a look for that alone.
Score: 7/10
iOS & Android, free – remove ads £11.99 (SayGames)
Build a fruit juice empire in this amusingly unserious business simulator, that begins with just you, a chainsaw, and a gaggle of panicking, wide-eyed fruit doing their best to avoid being traumatically juiced.
Hire staff, upgrade your blenders, raise prices, and gradually ratchet up the orders of magnitude in your juicing operation – which diversifies into jam and, for some reason, gem mining.
Unlike many incremental games this is emphatically not idle, requiring plenty of active management of your operation, including chasing down those pesky fruits. If it weren’t so riddled with advertising it would initially be quite addictive.
As it is, you’re regularly forced to watch ads and strongly incentivised to sit through a lot more. The real issue is how dystopian those ads are. Often 90 seconds long and with deliberate pauses you need to click through to continue watching, they actively prevent you from just leaving them on in the background.
You can, of course, pay to remove them, but the more Juice King you play the more its gameplay feels like skill-free busy work, which is fine for a bit but eventually boring.
Score: 5/10
iOS & Android, free (Yannis Benattia)
Kumome’s turn-based puzzles get you to move your hero one space in any direction on the board, then add a new piece in an attempt to block your opponent. If they can’t move their hero, you win.
From those simple beginnings, Kumome layers on teleport tiles, multiple opponents, single-use power-ups, and online PvP combat.
Clearly a labour of love from a lone developer, its interface may be slightly rough around the edges but its gameplay is solidly designed, providing a varying challenge throughout its 200-level single player campaign and online multiplayer, once you’re confident enough to try it.
Score: 7/10
iOS & Android, free – full game unlock £4.99 (Afterburn)
Pub Champs is a football themed puzzle game that despite its content requires neither a love of the sport nor dexterity. Instead, you’ll be greeted by an escalating series of turn-based tactical challenges in which you direct a set of animal footballers to kick a ball into the back of the net.
Initially, that’s a case of getting in front of the goal mouth and tapping but soon enough you’ll find your path occluded by road cones, piles of leaves, muddy puddles, and more.
You’ll also discover that different players interact with the ball in their own distinct ways, some kicking it straight, others curling it through the air to clear obstacles. Each also has a limited number of turns, so you’ll need to combine their skills to complete puzzles.
Highly polished, Pup Champs’ 170 levels also get pretty taxing, belying the cozy setting and menagerie of young animal protagonists.
Score: 7/10
iOS & Android, free (Rusty Lake)
Indie developer Rusty Lake has a wonderfully offbeat signature style that blends the sinister, dreamlike, and mundane into some of the most idiosyncratic and enjoyable games on mobile.
To celebrate the studio’s tenth birthday, they’ve released this mysterious interactive magic show, whose 20 acts are punctuated by an interlude in the Rusty Lake offices where you need to make everyone a drink, solve some puzzles, and debug The Mr Rabbit Magic Show game ready to be published.
Its puzzles are mostly straightforward, although one demands such an extreme level of trial and error that you’ll need a pen and paper – or a spare iPad – to discover its lengthy and highly specific sequence of taps.
Still, for a freebie its hour of pleasing, self-referential puzzle solving can scarcely be faulted and if you’re new to Rusty Lake’s delights this could well act as a gateway to their superb back catalogue.
Score: 8/10
iOS, included with Apple Arcade subscription (What the Games)
Made by the developer of the award-winning What The Car?, What the Clash? has a similar visual design, but instead of surrealist driving escapades it features a series of mini-games that you can play solo or against a fellow human.
Starting with table tennis and soon adding racing, target shooting, and others, each of its games can be modified using a growing set of special cards that unlock as you play. That means if you and an opponent choose Archery, adding the barrel and giraffe cards gives you high winds that affect the flight of each arrow, while barrel and rotate give you rocket launchers.
It means almost every game is different – often in quite surprising ways – and that you’re continually unlocking new and frequently outlandish add-ons almost every time you play.
Some of the games are a lot more fun than others but its high production values, zany humour, and continual sense of progression are a winning combination.
Score: 8/10
iOS & Android, free (Netmarble)
Game Of Thrones’ foray into mobile entertainment delivers excellent first impressions. A graphically intensive third person action role-player, it features the visual likeness of plenty of familiar characters, and while it doesn’t boast the original cast, voice-acting is first rate.
You also don’t need to be an aficionado of the books or TV show to get it, with everything conveniently explained. Starting as a knight, sell sword or assassin, you’re unleashed into an open world infested with white walkers, their world’s take on zombies.
Problems start to creep in with combat that’s instantly superficial, and even on an iPad Pro tends to drop numerous frames when the action gets frantic. Its real issue though, is your character’s Momentum Score; the total average level of every piece of gear you have equipped.
If it’s too low, missions are deliberately impossible until you’ve met its requirement, and the enormous range of different currencies you need to progress makes it a shamelessly extended grind, which naturally you can circumvent with microtransactions.
Inventory space is limited until you pay actual money to expand it, forcing you to sell each piece of unneeded equipment individually, and that’s just the start of a seemingly endless parade of different methods of fleecing you. Even if you’re a massive fan of the show, this is best avoided.
Score: 3/10
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Famously one of cinema’s mightiest franchises has returned to Disney+ with an all-new film which already has critics and die-hard fans hooked.
Predator: Killer of Killers is the latest entry in a long-running sci-fi/horror/action series which was first kicked off by a cigar-chomping Arnold Schwarzenegger in 1987.
Since the release of John McTiernan’s Predator, the beast has spawned four sequels and two spin-offs – plus countless tie-in video games, comic books (who can forget that time it beat up Batman!?) and novelisations.
Ahead of director Dan Trachtenberg’s upcoming live-action sequel, this animated spin-off follows three human warriors as they face off against the intergalactic hunter (a race also known as the Yautja).
In three separate yet connected stories, a Viking Queen, Samurai warrior and World War II fighter pilot each encounter the Yautja, and soon find themselves fighting for survival against the galaxy’s most lethal hunter.
With the film now streaming in the UK and worldwide, it has already cultivated a near-perfect 97% score from critics on Rotten Tomatoes.
In the hours following the film’s release, critics shared their early thoughts on what they had just witnessed.
‘Predator: Killer of Killers provides the non-stop action that the diehard fans crave. And no concession has been made to the animated format; the film easily earns its R rating,’ wrote The Hollywood Reporter.
“I’d go so far as to say that this is what streaming should be for: Immaculately crafted bonus treats that stand on their own two feet,’ agreedIndieWire.
Meanwhile, The Wrap described it as ‘all action, no filler.’
Reacting to the film’s release on X, viewers were just as enthusiastic, with panthersgod all-capping: ‘PREDATOR: KILLER OF KILLERS was ABSOLUTE CINEMA.’
‘Killer of Killers just straight up might be the best predator movie ever in existence,’ commented PixelMert.
‘Gotta say, Dan Trachtenberg is absolutely KILLING IT in the Predator department! His latest films—Prey and Killer of Killers—perfectly captures the essence what made the Predator series so memorable! And I’m digging his take on each different Yautja!’ said NikaiCanon.
Meanwhile, IamMichaelJLee described it as ‘an ambitious, world-building brawl that spans multiple time periods before culminating on the Predator’s homeworld. Each setting adds a layer of depth and nuance to our history while reimagining humanity’s most brutal eras through the lens of the hunt.’
Killer of Killers is the second Predator film from director Dan Trachtenberg, who previously helmed its critically acclaimed prequel in 2022.
Set in the world of the Comanche Nation 300 years ago, Prey followed female warrior Naru (Amber Midthunder) as she faced off against a bloodthirsty Predator.
Metro UK’s Louise Griffin described the film as a success for its young star, who ‘lives up to the protagonist of the original film.’
No mean feat, given that the protagonist was none other than Arnie himself.
Between the original Predator and 2022’s Prey, the series also includes 1990’s Danny Glover ’em up Predator 2, the 2010 action film Predators, plus soft reboot (and hard pass!) The Predator, as directed by Shane Black in 2018.
The creature also appeared in two Alien vs Predator movies in 2004 and 2007, neither of which managed to capture either Alien or Predator at their best.
Thankfully, Trachtenberg’s not done with the franchise yet. Live-action sequel Predator: Badlands is also due out later this year and will find the Predator on the back foot for once.
Set on a remote planet, the film will follow a young Yautja outcast as he teams up with unlikely ally Thia (Elle Fanning) when they embark on a hunt for the ultimate adversary.
Predator: Killer of Killers is streaming on Disney+ now.
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A scary horror movie from 2019 is available on iPlayer now… (Picture: CBS Films/George Kraychyk) If you fancy making your weekend a gruesome one, look no further than a ‘grotesque’ horror movie from 2019 that’s been added to BBC iPlayer. Directed by Andre Ovredal and […]
FilmIf you fancy making your weekend a gruesome one, look no further than a ‘grotesque’ horror movie from 2019 that’s been added to BBC iPlayer.
Directed by Andre Ovredal and co-written by Guillermo Del Toro, Scary Stories to Tell in the Dark was released in 2019 and became a box office success.
Made on a budget of $25million (£18.5m), it performed better than expectations on its opening weekend six years ago and made back $104.5m (£77m) in total.
Starring Zoe Colletti and Michael Garza, Scary Stories to Tell in the Dark is based on the book series of the same name, written by Alvin Schwartz, who died in 1992.
The film follows the story of Stella, Auggie, and Chuck, who visit a haunted house and find a book of horror stories written by a long-deceased author named Sarah Bellows.
Bellows’ stories soon come to life, and the scary monsters and creatures they contain emerge in the real world, putting Stella, Auggie, and Chuck in more danger than they realise.
In 2019, critics watching the film in its early weeks after release were broadly positive, with its current Rotten Tomatoes rating sitting at 78%.
Fans received Scary Stories to Tell in the Dark positively as well, with 72% of Rotten Tomatoes users saying they would give the film a score of 7.0 out of 10 or more.
On X, user @Muesquehere said that the introduction in the film of the creature known as The Pale Lady was among the most disturbing scenes of any horror film.
@English_Shamar said: ‘Scary Stories to Tell in the Dark is a really good movie to watch’ when another user asked for the scariest horrors their followers had seen before.
On Letterboxd, film critic Matt Singer said the movie was proof that ‘it is possible to make a genuinely scary PG-13-rated horror movie’.
User Tom Bowen also commented: ‘The period setting is cool, all the kids are great performers, and I was surprised by just how creepy it was with some eerie designs and disturbing sequences.’
Joining the cast of the 2019 film were Breaking Bad star Dean Norris, who played Hank Schrader, and Orange is the New Black actress Lorraine Toussaint, who played Yvonne in the Netflix series.
The books upon which the film is based were released in 1981, 1984, and 1991 and were published shortly before author Schwartz’s death at the age of just 64.
In 1981, the first book was titled Scary Stories to Tell in the Dark, while later editions were titled More Scary Stories to Tell in the Dark and Scary Stories 3: More Tales to Chill Your Bones.
Scary Stories to Tell in the Dark was famously illustrated by artist Stephen Gammell, whose drawings of ‘grotesque monsters’ became iconic among horror fans.
As of 2017, the stories had sold a collective total of seven million copies and have appeared on numerous bestseller lists for children’s and young adults’ fiction.
Watch Scary Stories to Tell in the Dark on BBC iPlayer.
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A ‘masterpiece’ psychological thriller is making its way to BBC iPlayer.
Released in 2021, The Power of the Dog stars Benedict Cumberbatch, Jesse Plemons, and Kirsten Dunst and is based on the 1967 novel of the same name by Thomas Savage.
The film follows wealthy ranching brothers Phil (Cumberbatch) and George Burbank (Plemons) who meet widow Rose (Dunst) and her son Peter (Kodi Smit-McPhee) during a cattle drive.
The volatile and brash Phil takes a dislike to Rose, but George strikes up a relationship with her – which eventually leads them to marry – and Rose and Peter to move to the Burbank ranch house.
As Phil taunts Rose, he appears to take Peter under his wing, but his intentions don’t seem as clear-cut to Rose.
For those who didn’t catch the award-winning hit, or just want to rewatch, it is now free to stream on BBC iPlayer, as well as Netflix.
The Power of the Dog proved an instant hit following its premiere at the 2021 Venice Film Festival, garnering a whopping 12 Oscar nominations and seven Golden Globe nods.
It is often cited as one of the best films of 2021, and indeed of the decade as a whole, and was named one of the best films of 2021 by the American Film Institute.
It currently holds a 94% rating on Rotten Tomatoes, with the critics’ consensus reading: ‘Brought to life by a stellar ensemble led by Benedict Cumberbatch, The Power of the Dog reaffirms writer-director Jane Campion as one of her generation’s finest filmmakers.’
Metro critic Tori Brazier dubbed the film a ‘taut and emotional epic’ in her review, adding: ‘A rich and detailed character study for each of its excellent four leads – and especially Cumberbatch and Smit-McPhee, who is an admirable scene partner – The Power of the Dog brings everything you’d expect, and hope for, from the writer and director of The Piano.
‘The film is like watching a play, so focused is it on the minutiae of seemingly small human actions and emotions, and so nuanced in its storytelling.’
The New York Times wrote: ‘The Power of the Dog builds tremendous force, gaining its momentum through the harmonious discord of its performances, the nervous rhythms of Jonny Greenwood’s score and the grandeur of its visuals.’
USA Today lauded The Power of the Dog a ‘picturesque, enthralling exploration of male ego and toxic masculinity, crafted by an extremely talented woman and offering enough nuanced bite to keep it interesting till the very end.’
InSession Film said: ‘Much has already been said about Jane Campion’s western masterpiece, and for good reason. It is indeed truly great. Benedict Cumberbatch gives a career-best performance.’
Heaping praise on Cumberbatch, with Ty Burr writing on his Substack: ‘How do we know Benedict Cumberbatch is a serious thespian? Because we have no idea who he is offscreen. He’s just entirely the role he’s playing at any given moment, and those roles change radically.’
The Power of the Dog is streaming on BBC iPlayer and Netflix
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The Resident Evil and friends show (YouTube) Watch all the most interesting trailers from the biggest summer preview event of the year, including Sonic Racing: CrossWorlds, Code Vein 2, and Wu-Tang: Rise Of The Deceiver. You never know what you’re going to get with Summer […]
GamingWatch all the most interesting trailers from the biggest summer preview event of the year, including Sonic Racing: CrossWorlds, Code Vein 2, and Wu-Tang: Rise Of The Deceiver.
You never know what you’re going to get with Summer Game Fest, the would-be replacement for E3 hosted by The Games Awards creator Geoff Keighley. Some years there’s tons of big name reveals and some years it’s mostly just AA and indie titles. This is one of those years.
That doesn’t mean there was nothing of interest, but the mic drop reveal at the end of the two hour long show was Resident Evil Requiem, and it was by far the biggest game to be featured.
Despite being only a day after the Nintendo Switch 2 launch, and Nintendo registered as a partner, the only time the console was even mentioned was a brief ad for Cyberpunk 2077: Ultimate Edition. Although that does probably increase the chances of a Nintendo Direct later in the month.
There were a few notable trends for the games at this year’s Summer Game Fest: a lot of Soulslike titles with dark grey visuals, a lot of anime games, and plenty of live service titles still trying their luck at hitting the big time. So, if the thought of that doesn’t appeal you may find the pickings relatively thin. Although there’s also Jurassic World Evolution 3 and the Deadpool VR game if you fancy something different.
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The first annoucement was Mortal Shell 2, a sequel to the 2020 Dark Souls clone that is still one of our favourite Soulslikes not made by FromSoftware. Developed by a mere 30-man team (Keighley was keen to highlight that many of the games were by surprisingly small developers) the sequel seems to be going for a more overt horror atmosphere, while there was a lot more gun combat than usual for the genre. It’s out sometime in 2026.
It’s never a surprise to see Hideo Kojima at a Geoff Keighley event but the cut scene he decided to show for Death Stranding 2 was not exactly the most enthralling. It featured Luca Marinelli as Neil and his real-life wife Alyssa Jung as therapist Lucy, arguing about the fact that he’s forgotten who she is. Neil is apparently the villain of the piece, and the one dressed up in Solid Snake cosplay in some of the previous images. The game itself is out in just a few weeks, on June 26.
Sega had a strange little dig at Mario Kart World during their reveal of Sonic’s latest kart racer, pointing out that it has cross-play… even though Mario Kart is obviously only on Nintendo formats. The game looked good, but the focus of the demonstration was crossover characters from other games, including Hatsune Miku, Ichiban Kasuga from Like A Dragon, Joker from Persona 5, and Steve from Minecraft. The game will be released on September 25 for every format imaginable.
We’re really not sure the art style in this unexpected sequel to the 2019 Soulslike works very well, with its anime characters and realistic backdrops, but at least it’s something a bit different. The original didn’t seem quite successful enough to justify a follow-up, but the action looks good and at least it’s one Soulslike that’s not copying FromSoftware’s visuals as well as its gameplay. It’ll be released for Xbox Series X, PlayStation 5, and PC sometime next year.
It does seem madness that there’s never been a console action game based on Game Of Thrones. There still isn’t, but at least this real-time strategy game isn’t just some seedy mobile title. Unfortunately, the pre-rendered trailer never showed a hint of any gameplay, so there’s no clue as to what it’s actually like, but apparently it involves ‘ruthless free-for-all battles where trust is fleeting and power is everything’. It’s out next year and seems to be PC-only, which is a shame as it could have worked as a spiritual sequel to EA’s old Lord Of The Rings real-time strategies.
It’s been a very busy week for Capcom this week, with Pragmata re-unveiled at the State of Play on Wednesday and Resident Evil Requiem being the big reveal at the end of Summer Game Fest. But we also got a new gameplay trailer for the reboot of Onimusha, which looks extremely pretty and continued the series’ tradition of not even trying to have anyone sound like they’re actually from Japan (like Resident Evil, the originals only had English voiceovers). There’s no release date yet, but it’s out next year on Xbox Series X/S, PlayStation 5, and PC.
One of the strangest reveals of the show was what seems to be a Muppet version of Punch-Out!!, with the potty-mouthed puppets taking part in what also probably counts as a homage to Rocky. The gameplay does seem almost identical to Nintendo’s old boxing game but hopefully there’s a bit more to it than that. The game doesn’t have a release date and is currently scheduled only for PC.
Expected to be the next big thing in online shooters, the only thing ARC Raiders has been missing is a release date, but it finally got that at Summer Game Fest. It’ll be out on October 30 for Xbox Series X/S, PlayStation 5, and PC, which is interesting because that’s right around the time you’d expect this year’s Call Of Duty to come out – and the new Battlefield, if EA launches it this year. ARC Raiders’ strong word of mouth gives it a head start though, which could make for an interesting autumn shootout.
When we interviewed Jospeh Fares about Split Fiction, we asked him why he thought no one had ever tried to copy his games, despite their huge success. He didn’t know but finally another developer seems to have wondered the same thing and Out Of Words does look very reminiscent of It Takes Two in particular. The hand-crafted, stop motion visuals are neat though and it’s definitely one to watch, even if it doesn’t have a release date yet.
Another game taking inspiration from Split Fiction, at least in the sense that it has a friend pass that means only one person has to own a copy of the game to play online co-op. It’s by the creators of the very good Lego Builder’s Journey and rather than being based on Lego licensed sets, or any other established toy line, it’s all about solving puzzles by building Lego structures. If it’s as good as Lego Builder’s Journey it’ll be doing very well indeed, although there’s no release date yet.
Between South Of Midnight and The Midnight Walk, and Out Of Words, stop motion animation Is suddenly very popular for video games. The art style in this new game from Annapurna was notably different though, and while we’re not entirely sure what’s going on in terms of the gameplay the 80s soundtrack sounds like it’ll be the best thing since GTA: Vice City.
Made by just nine people in Indonesia, this very bloody looking beat ‘em-up looked extremely impressive, and also very reminiscent of the violence in Oldboy. We didn’t quite gather what was going on in terms of the story but we’re sure revenge has something to do with it, as you beat down hordes of goons and get a Mortal Kombat style view of an opponent’s skeleton, when you manage to put a big enough dent in it. It’ll be out on PC next summer.
We can’t say we’ve ever been fans of Scott Pilgrim, either the comics or the film, but the 2D graphics for this new scrolling beat ‘em-up look gorgeous. It’s clearly intended as follow-up to Ubisoft’s film tie-in from 2010, which was well received by many, and is by the same team behind Teenage Mutant Ninja Turtles: Shredder’s Revenge and Marvel Cosmic Invasion (which was also at Summer Game Fest and announced Rocket Racoon and She-Hulk as characters). It’ll be out on current and last gen consoles and PC next year.
Although 007 First Light did get a quick name check on stage, developer and publisher IO Interactive instead spent their time talking about Agent 47 in MindsEye and Mads Mikkelsen in Hitman: World of Assassination (aka Hitman 3). He’ll be reprising the role of Le Chiffre as the latest elusive target in the game – a special character, usually played by a famous actor, that is only available to assassinate for 30 days, starting from today. That’s neat but it’s also interesting that it implied IO has a considerable amount of leeway with the Bond licence and what they can do with it.
The other Lego game to be unveiled was an outrageously obvious clone of Mario Party, only with 300 different minifigures instead of the Mushroom Kingdom crew. These can be rearranged in trillions of different combinations, in order to compete for stars golden bricks and play 60 different mini-games. We’re big fans of Mario Party (and Lego) so if this manages to be as fun as Nintendo’s games then we’re all for it. It’ll be release for both consoles and PC this year.
A new game from Drinkbox Studios, makers of Guacamelee! and Nobody Saves The World is immediately of interest but this Diablo-esque role-player looks a bit more serious and horror tinged than their previous games. It also seems to be channelling Hades creator Supergiant Games, none of which is a bad thing. Whether it’s a Metroidvania or not isn’t clear but at certainly points in the trailer it definitely seems to have co-op. It’s not certain which formats it’s coming to but it’s out on PC next year.
A lot of people are probably going to compare this to online survival game Grounded, but the plot makes it sound like a more serious version of Pikmin, with aliens visiting Earth and battling with both insects and some sort of mechanical robot menace, as you search for your lost crew. It’s out for consoles and PC next year and while there’s very little concrete information on the gameplay the visuals certainly look impressive.
Whether you care about the Wu-Tang Clan or not this had some of the nicest visuals of any game at the show. They seemed fairly obviously influenced by the Into The Spider-Verse movies, but that’s no bad thing, and we’re only surprised that hasn’t happened before. The idea of a Wu-Tan action role-playing game was leaked quite a while ago, where it was described as Diablo meets Hi-Fi Rush, which does seem to fit with what you see in the trailer. There’s no release date so far.
There were a lot of great looking games at the show, but this might have been our favourite, with its 40s style animation reminiscent of a 3D Cuphead. It’s a bit hard to tell exactly what’s going on with the story but you seem to be playing an alcohol abusing cartoon character who’s been tricked by the Devil into… taking part in a third person action roguelite, that also has three-player co-op. There’s no release date but if it looks as good as it plays it’ll be doing very well indeed.
The final reveal before Resident Evil Requiem was what was previously codenamed Project Century and while it looks like a Yakuza spin-off it’s not actually part of the franchise, even though it’s by the same developer. Sega didn’t explain much, but when the game was first introduced it was set in Japan in 1915 and yet this trailer is set in 1943 (i.e. in the middle of the Second World War).
Given the codename that probably implies you’re playing in multiple time periods across the whole century. There was no mention of formats or a release date though, so it’s probably still quite a while away from release.
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There is no Resident Evil 9, only Resident Evil Requiem (YouTube) The game previously known only as Resident Evil 9 has finally been revealed and it features a deep cut reference to Resident Evil Outbreak. Summer Game Fest 2025 was a very low-key affair, with […]
GamingThe game previously known only as Resident Evil 9 has finally been revealed and it features a deep cut reference to Resident Evil Outbreak.
Summer Game Fest 2025 was a very low-key affair, with hardly any new AAA game reveals. There was still lots of interesting looking titles, such as Mortal Shell 2 and Stranger than Heaven, but the biggest title by far was Capcom’s Resident Evil Requiem, aka Resident Evil 9.
Technically, the game was announced last summer but nothing had been seen of it up till now and even the reveal trailer left a lot more questions than answers… except when it comes to the release date.
Requiem will be out on February 27, just a few weeks before the franchise’s 30th anniversary, and the new game is promising a shift in ‘tone and gameplay’, as well as a return to Racoon City.
Capcom didn’t detail what the changes would entail but rumours have long suggested the game will be ditching the first person view of the last couple of titles and going back to the traditional third person, over the shoulder view.
That wasn’t confirmed by the reveal, but it did seem to imply that. As for the tone, it’s hard to say but it appeared to be more serious, when compared to the schlocky, more fantastical nature of Resident Evil Village.
Resident Evil’s ability to change and evolve is one of the secrets of its success but it was still nice to see the police station from Racoon City again, or at least what’s left of if after the place got nuked at the end of Resident Evil 2.
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It was impossible to tell what’s going on with the plot, but the trailer focused on new character Grace Ashcroft, a ‘technical analyst’ at the FBI whose mother seems to be Alyssa Ashcroft.
If that doesn’t ring a bell then don’t worry, as she was only ever in the two Resident Evil Outbreak games – online co-op titles from the PlayStation 2 era, that weren’t particularly successful (the first one wasn’t even online in Europe).
The trailer refers to Alyssa being killed in a hotel eight years earlier, which was not a part of Outbreak’s story. As the trailer begins, Grace is writing a report on an ‘unidentified disease’ that has claimed a fourth victim, with Alyssa presumably being the fifth.
It’s hard to draw anything too conclusive from the rest of the trailer, but there’s a new monster dropping down from the ceiling in one shot, a possible shot of a zombie at the end, and what looks like the Raincoat Killer from Deadly Premonition at one point.
There’s also a guy with an obviously evil voice, who could be Albert Wesker, who’s describing someone – possibly Grace – as the ‘chosen one’.
Previous rumours have suggested that Leon S. Kennedy and/or Jill Valentine are the main playable characters in Requiem but there was no sign of that in the teaser. Rumours have also claimed the game will be open world but the trailer didn’t even hint at that, although it didn’t rule it out either.
No doubt all that will be the subject of the next trailer, which is presumably coming relatively soon, given the game is due out in a little over eight months.
There’s a small possibility it could be at the Xbox Games Showcase on Sunday but that’s unlikely, as it wasn’t at the State of Play on Wednesday and Capcom probably don’t want to play favourites. The trailer confirms the game for Xbox Series X/S, PlayStation 5, and PC.
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Wade Wilson has a new voice (Marvel/Meta) Marvel has announced a new VR game centred around Deadpool, from the studio behind ‘Splosion Man and Comic Jumper. There are a huge number of Marvel games in development at the moment, including Marvel 1943: Rise Of Hydra […]
GamingMarvel has announced a new VR game centred around Deadpool, from the studio behind ‘Splosion Man and Comic Jumper.
There are a huge number of Marvel games in development at the moment, including Marvel 1943: Rise Of Hydra and a new fighting game from Arc System Works, but now another has been added to the pile at Summer Game Fest.
Surprisingly, it’s a VR game starring quippy anti-hero Deadpool, created by Twisted Pixel (‘Splosion Man) and Oculus Studios in collaboration with Marvel Games.
Even more surprisingly, Deadpool has a brand new voice, in Neil Patrick Harris, best known for starring in How I Met Your Mother, Netflix’s A Series Of Unfortunate Events, and Doogie Howser, M.D.
Marvel’s Deadpool VR features a new original story, where the superhero is pulled into a portal to Mojoworld. After he signs a dodgy contract without reading the fine print, he’s sent off to visit a bunch of locations from across the Marvel universe, facing villains both iconic and, as noted by the developers, ‘not-so-iconic’.
The gameplay blends parkour and combat, with a style described as ‘if you can imagine it, you can probably do it’. Based on the trailer, you can shoot, throw your gun, wield enemies in a grappling beam, shove people against propellers, and skewer heads with your swords.
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As you’d expect from Deadpool, it’s all appropriately meta, with one nod levelled at a certain web-slinger on PlayStation: ‘Spider-Man gets Insomniac, and I get this sh*t?’
If you’re a fan of Deadpool, this seems to be hitting all the right notes and Harris seems like a perfect fit for the character. We’ll have to see though, if it can match the heights of fellow superhero VR title, Batman: Arkham Shadow.
While Twisted Pixel were originally known for games like ‘Splosion Man and Comic Jumper on the Xbox 360, in recent years the studio has created VR titles. The combat in Deadpool appears to be an evolution of their last action game, 2019’s Path Of The Warrior.
Marvel’s Deadpool VR is slated to release late 2025 and is exclusive to Meta Quest 3 and 3S.
If you fancy more Marvel games, Insomniac is working on a Wolverine project, an Iron Man game is in development at EA, and a throwback beat ’em up titled Marvel Cosmic Invasion is set to launch this year.
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Life finds a way (Frontier) A new entry in the Jurassic World Evolution series has been announced, with baby dinosaurs and the return of Jeff Goldblum. While there have been plenty of games based on Jurassic Park over the years, the best is easily its […]
GamingA new entry in the Jurassic World Evolution series has been announced, with baby dinosaurs and the return of Jeff Goldblum.
While there have been plenty of games based on Jurassic Park over the years, the best is easily its translation into a management sim in Jurassic World Evolution 2.
Developed by Frontier, the series is basically RollerCoaster Tycoon spun through a Jurassic Park lens, where you have to build a park and keep profits ticking over, while managing the satisfaction of customers and the dinosaurs themselves.
During Summer Game Fest, Frontier announced a third entry in the series, and the key hook this time around is the ability to breed and nurture baby dinosaurs.
As shown in the trailer, Jurassic World Evolution 3 boasts a new breeding system which allows you to house families of dinosaurs within your park. There are over 80 dinosaur species in the sequel, 75 of which players can breed.
The sequel promises a new globe-trotting campaign, with maps spanning from Japan to Hawaii. Jeff Goldblum reprises his role as Dr Ian Malcolm too, after lending his voice to the prior two instalments. There’s no word though on whether anyone else from the franchise will return.
As noted in a press release, Jurassic World Evolution 3 features expanded customisation for your parks, with new terrain tools to create mountain peaks and canyons, while texture brushes can help you add extra detail to landscapes.
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For the first time in the series, you can share your parks, dinosaur enclosures, and scenery creations with others via the cross-platform Frontier Workshop.
Jurassic World Evolution 3 is set to launch on October 21 across PlayStation 5, PC, and Xbox Series X/S for £49.99. A deluxe edition, which includes four extra dinosaurs (Protoceratops, Guanlong, Thanatosdrakon, and Concavenator), scenery items, and exclusive ATV vehicle skins, will be available for £64.99.
If you pre-order the sequel, players will receive a Badlands set at launch which includes scenery items inspired by the original Jurassic Park’s dig site, along with scenery blueprints from the Montana Badlands, and a Badlands ATV skin for the maintenance crew.
This isn’t the only Jurassic Park game in development, with Jurassic Park: Survival also in the works at Saber Interactive. A new film, titled Jurassic World: Rebirth, is set to hit cinemas on July 2, 2025.
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Ana de Armas has revealed that she broke down in tears while filming an ‘intense’ stunt for her new film, From the World of John Wick: Ballerina.
The 37-year-old is leading the way in the action spin-off of Keanu Reeves’ iconic franchise, which hit the big screen today.
In the blockbuster, directed by Len Wiseman, she played Eve Macarro, an assassin trained by the Ruska Roma who is on her own journey of revenge over her dad’s murder.
Unpacking a brutal sequence in which her character used a flamethrower against some bad guys, the James Bond actress explained that she became emotional during the first time she rehearsed the stunt before the cameras started rolling.
‘I remember the first day the stunt team was practicing with the fire, and they told me to go do it before the shoot, and I said, “No, no, no, I’ll be fine”,’ she told Entertainment Weekly.
‘They got the main fire guy that gets burned, and he’s all covered in this sticky grease or whatever they put for protection, and they’re like, “Okay, go ahead. Just burn him.” And I did, and I started crying.
‘It was really emotional,’ Ana said of the ‘intense’ scene. ‘I’ve never seen anyone burning, even though it’s fake.
Thankfully, she was able to gather herself quickly, and continued on with the rehearsal.
‘Then I was fine,’ she laughed. ‘Then I burned like a hundred people. I’m glad I practiced the day before, and I cried the day before.
‘But it’s amazing to see what [the stunt team] do – I can’t believe you guys put yourself through this. It’s unbelievable.’
‘The fire scene was risky, but we did it,’ she added. ‘It was all done the right way, and everyone was super careful, and it turned out to be an amazing experience.’
After years of waiting, Ballerina is finally in cinemas now and has been met with rave reviews from fans and critics alike – it currently commands a huge audience Rotten Tomatoes score of 93% compared to a critics ranking of 72%.
Many on the platform heaped praise on Ana’s efforts at leading the latest instalment of the franchise alongside Keanu’s John Wick.
Andreas Udland wrote: ‘Super entertaining. Not one dull or boring scene. Great world building. Ana gives one of her best performances.’
‘Ana it’s perfect choice for Ballerina,’ Ibrahim H wrote. ‘This movie is like John wick level, and there action just awesome. Recent pop culture time, it’s a great movie, not masterpiece.’
‘This movie really moves, it does not let up, this is an extension of the john wick universe. Ana carries this action flick, bring popcorn,’ Rick Masters agreed.
As Jaime Hernandez added: ‘Absolutely amazing! I love the John Wick Franchise and Ana de Armas absolutely killed it as Eva! She effortlessly fits so well into the franchise!
‘Dont miss out on seeing this on the big screen! [sic].’
Ballerina is in cinemas now.
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Martin Scorsese has opened up about making one of his most iconic films, confessing that it actually has ‘no plot’. The acclaimed director helmed 1995 crime drama Casino, starring Robert De Niro, Joe Pesci, Sharon Stone, Don Rickles and Frank Vincent, following mobster Sam ‘Ace’ […]
FilmMartin Scorsese has opened up about making one of his most iconic films, confessing that it actually has ‘no plot’.
The acclaimed director helmed 1995 crime drama Casino, starring Robert De Niro, Joe Pesci, Sharon Stone, Don Rickles and Frank Vincent, following mobster Sam ‘Ace’ Rothstein as he oversees the Tangiers Casino in Las Vegas.
It was adapted from a book written by Nick Pileggi, and commands an exhausting run time of nearly three hours.
Unpacking the hit movie, Martin previously said that there was ‘no plot at all’ to be found within the two hours and 58 minutes, conceding that there’s ‘a lot of action, a lot of story, but no plot’.
During a Q&A session with Robert ahead of a screening of the flick at Tribeca Film Festival, held at the Beacon Theater on Thursday, moderator W Kamau Bell questioned his remarks, and he stood his ground.
‘Yeah, it’s a substantial length film,’ he said to laughs from the audience. ‘We wanted to sustain one note, so to speak, pushing all the way through the length of the picture. Make it feel as if it’s like a breathless experience.
‘I don’t know if the plot was necessary… I often think films that you think about, or things you’ve read often, if you really examine them, I find that a lot of the films that I [like], let’s say Hitchcock’s Vertigo, for example, who cares about the plot at this point?
‘Also, if you really, really analyze that plot, it’s highly improbable!’
‘What are we watching it for? You’re watching it for other reasons,’ Martin continued. ‘You’re watching it for cinema, color, the actors, the dialog, the mood, the tone and experience…
‘What I’m getting at is that I think if you find that you’re watching a film for a plot, or you read a book for a plot, unless the characterization is so unique in psychological depth and emotional depth, there’s no reason to read it again or see it again, because you know the plot.
‘So what’s the point?’
In Casino, Robert led the star-studded cast as mobster Sam ‘Ace’ Rothstein, who was tasked with running a Las Vegas casino.
He was forced to take action when best friend Nicky Santoro’s (Joe Pesci) criminal activities – as well as his own romance with con artist Ginger (Sharon Stone) – drew too much attention to their antics.
The movie served as a reunion for Martin, Robert and Joe, who worked together on 1990 film Goodfellas, also adapted from a nonfiction book by Nick.
Discussing the note that Casino was ‘adapted from a true story’, the director conceded: ‘We did have to do a great deal of changing names. It’s in the movie, we can’t even say Chicago.
‘When it cuts back to Chicago, we put “back home”.’
When asked about whether there was ‘pushback’ from the mob community, he added: ‘No… There were meetings in Vegas with a number of people who told [us] to be careful and remember that these [characters were] based on real people, etc.
‘The point is that the material … is public knowledge and it is apparently factual. We changed the names, we changed so many things. But naturally, those who know the characters it’s based upon, they know the truth. These are elements of truth.
‘Naturally, there are people, there are families and that sort of thing, and there was some pushback.
‘People push back forward, so to speak.’
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