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FilmIf you were subject to a parade of dolphins doing aerial acrobatics with chaotic captions like “me listening to my intrusive thoughts in 4D” on your FYP this year, then you have Zara Larsson to thank (or blame, depending on your serotonin levels). “Symphony,” her […]
MusicEric Bana returns to TV as Kyle Turner in Netflix series Untamed (Picture: RICARDO HUBBS/NETFLIX) Eric Bana has returned to our TV screens after a six-year absence, and he’s officially a silver fox. The 56-year-old Time Traveler’s Wife star hasn’t starred in a series since […]
TVThe King of Swing takes the limelight (Nintendo) Nintendo has not abandoned its usual plans for a June Direct, but there’s no sign this week’s will mention Red Dead Redemption 2 or any other new games. The beginning of June managed to start with the […]
GamingNintendo has not abandoned its usual plans for a June Direct, but there’s no sign this week’s will mention Red Dead Redemption 2 or any other new games.
The beginning of June managed to start with the launch of the Nintendo Switch 2, Summer Game Fest, a PlayStation State of Play, and the Xbox Games Showcase. Regardless of what you thought of any of them, it was all very reminiscent of the old school E3 expo, just with far less hands-on previews and interviews.
What was missing though, was a Nintendo Direct, which was understandable given the launch of the Switch 2, despite Nintendo normally always having one of its showcases in early or mid-June.
Nintendo has now confirmed there’s going to be one on Wednesday June 18 at 2pm BST, but according to them it will only last 15 minutes and it’s only going to cover one game: the already announced Donkey Kong Bananza.
The June Directs are usually 40+ minute epics, featuring a wide range of first and third party titles, many of which are announced for the first time, but Nintendo did all that with the Switch 2 dedicated Direct in April.
It’s now looking increasingly unlikely that Nintendo will announce any other major new games this year, although, as always with Nintendo, it’s impossible to know for sure. After all, they did announce Splatoon Raiders recently, completely out of the blue, on their Nintendo Today! mobile app.
There’s also the rumour, from the voice actor of John Marston in Red Dead Redemption 1 and 2, that there would be some major news this week, which many already interpreted to be a hint at a Nintendo Direct.
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It’s not impossible that Nintendo could also briefly mention other first party games in this week’s Direct, but it would be unusual to share the limelight with something like Red Dead Redemption 2.
Join us for a deep dive into the underground world of #DonkeyKongBananza, coming exclusively to #NintendoSwitch2.🕒 June 18th, 14:00 (UK time)⏲️ Roughly 15 minutes🍌 Watch here: https://t.co/tefWT5UjcG pic.twitter.com/e3CCX9qRz2
— Nintendo UK (@NintendoUK) June 16, 2025
Either way, this definitely won’t be the last Direct of the year, as Nintendo has a number of games scheduled for 2025, about which we know very little and which don’t yet have specific release dates.
That includes Metroid Prime 4, Hyrule Warriors: Age Of Imprisonment, Kirby Air Riders, and Drag X Drive. Those all need to be announced at some point, and we wouldn’t be surprised if the Switch 2 Editions of Super Mario Party Jamboree and Kirby And The Forgotten Land also got an extra marketing push before their release this summer – not to mention Pokémon Legends: Z-A in October.
So, there is an awful lot for Nintendo to talk about before it even gets onto the subject of other new games and what’s out in 2026.
As for Donkey Kong Bananza, we did like what we played in April, but it was a fairly short demo, from what seemed to be an early build, so it was hard to draw any firm conclusions.
What we would certainly hope for from the Direct though, is confirmation of who’s making it. Nintendo has recently got very bad about crediting its developers and there’s currently no clue who’s behind Bananza.
One popular theory is that it’s the same team that usually does the 3D Mario games, so if it is revealed to be them then that has obvious implications for the imminence, or otherwise, of a follow-up to Super Mario Odyssey.
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The Legend of Zelda: Tears of the Kingdom – Nintendo Switch 2 Edition – a game as big as its name is long (Nintendo) Nintendo’s remaster of the sequel to Zelda: Breath Of The Wild has been tweaked and upgraded, with considerably better graphics and […]
GamingNintendo’s remaster of the sequel to Zelda: Breath Of The Wild has been tweaked and upgraded, with considerably better graphics and a few new tricks and options.
We’re very jealous of anyone who’s playing the two most recent Zelda games for the first time on Switch 2. As we’ve already explored, with the Switch 2 Edition of Breath Of The Wild, these are essentially just remasters, with no substantial new content, but given both games had issues with performance on the original Switch, enhanced versions are very much welcome.
The original version of Tears Of The Kingdom didn’t have quite as infamous a problem with its frame rate as Breath Of The Wild but it was still obvious that the original Switch was only just able to run the game at a satisfactory level. On the Switch 2, everything seems a lot more effortless, and it’s immediately obvious that this is by far the best way to play the game.
Both are 10/10 classics, so really the only question here is which to start with and whether they’re worth the price of an upgrade, if you’ve already played them. One thing to note is that Tears Of The Kingdom is an even bigger game than its predecessor, so the chances are you probably haven’t 100%-ed it, and so the new Zelda Notes mobile app will come in extra handy here.
As with the Switch 2 Edition of Breath Of The Wild, we’re not going to pretend we’ve completed the whole game again from scratch. It’s far too long for that (at least 60 hours if you ignore every possible diversion – which no one ever does) but we’ve explored the game again in all its glory by using both a new save file and our old one from the Switch 1.
Our original review covers everything in detail but, in short, Tears Of The Kingdom is a direct sequel to Breath Of The Wild – a real rarity for any Zelda game. It uses the same map as Breath Of The Wild but altered to account for the passage of time and with the addition of a gloomy underworld and a series of islands in the skies. It’s not quite three times as big as before, but it’s not far off.
One of the few criticisms of the original version of Tears Of The Kingdom is that while the visual storytelling is clear, in terms of showing a world recovering from the calamity of the previous game, the narrative barely acknowledges the fact, with many returning characters not even seeming to recognise Link.
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There was also some disappointment, following the original release, that the sky islands and underworld depths are involved in relatively few of the story missions. There’s lots of optional side quests involving them, and they’re tons of fun to explore, but the existing overground is still the main story focus. Which surprised many given that’s not necessarily what the marketing implied.
You could also complain that the combat, arguably the weakest element of the original game, hasn’t changed significantly but the major focus of Tears Of The Kingdom, in terms of new features, is the Ultrahand ability, which allows you to manipulate objects as if Link has telekinesis.
This is used to fuse weapons into stronger forms, increasing the amount of time before they break, but primarily to create complex constructions and vehicles. Most puzzles and obstacles can be overcome in multiple different ways, as you use raw materials like wood and specialist items like items and steering wheels, to create all kinds of Heath Robinson style devices.
The only restriction was the limited amount of time that some vehicles, particularly flying ones, had before they automatically fell apart. We’re not sure what technical limit it was that was forcing this, but it hasn’t changed in the Switch 2 Edition, no doubt because it would unbalance the rest of the game.
All the changes in the remaster are essentially the same as with Breath Of The Wild, including higher resolution visuals, 60fps gameplay, and HDR support. There are also the same flaws, in that these improvements make obvious the rather basic textures in some areas, as well as the pop-up for smaller objects like bushes and rocks. But then this is just a remaster, not a remake.
Other changes include an extra save file, if you want to start again from scratch, and access to the Zelda Notes app. This is used in an almost identical way to Breath Of The Wild, with an array of mildly useful features, such as the ability to share items with other players, edit photos that you take along the way, and check player data. With Tears Of The Kingdom you can also create a QR code for any of your Ultrahand builds and share them with other people.
Tears Of The Kingdom also has new commentary from Princess Zelda, which is just as inessential as in Breath Of The Wild, while the most useful option by far remains a live map which shows you nearby Koroks and shrines, for those that are trying to see and do everything in the game.
There’s no question that Tears Of The Kingdom is a great game or that this is anything but a very welcome remaster. The only real issue is whether this or Breath Of The Wild is the better game. That will be argued about for many years to come, as while Tears Of The Kingdom is better overall – fixing a few minor quibbles with its predecessor – Breath Of The Wild is more approachable and the one responsible for all the initial innovation.
As much as we’d love to play both games again for the first time, we’re not sure we’d advise anyone doing so one after the other, in quick succession. But that’s up to you, all we can say is that the Switch 2 now has the definitive versions of two of the best games ever made, and that’s not bad going for any console launch.
In Short: The definitive version of one of Nintendo’s most astounding technical and design achievements, that expands and refines the world of Breath Of The Wild in new and unexpected ways.
Pros: The Ultrahand system is an incredible achievement and allows even more freedom in how you approach the game. Immense game world, with a new secret or encounter around every corner. Higher frame rate and resolution are a big help.
Cons: As with Breath Of The Wild, some of the texture work is showing its age and the weak storytelling still feels like a missed opportunity.
Score: 10/10
Formats: Nintendo Switch 2
Price: £66.99 or £7.99 upgrade pack*
Publisher: Nintendo
Developer: Nintendo EPD
Release Date: 5th June 2025
Age Rating: 12
*free with Nintendo Switch Online + Expansion Pack
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The post-apocalyptic horror movie 28 Weeks Later is now streaming on Netflix (Picture: Publicity Picture) A few days before the highly anticipated 28 Years Later hits cinemas, fans of the franchise can catch up on the movie that came before. In 2002 Danny Boyle and […]
FilmA few days before the highly anticipated 28 Years Later hits cinemas, fans of the franchise can catch up on the movie that came before.
In 2002 Danny Boyle and Alex Garland’s post-apocalyptic horror movie 28 Days Later was released.
Inspired by George A. Romero’s Night of the Living Dead film series and John Wyndham’s 1951 novel The Day of the Triffids, it starred Cillian Murphy as a bicycle courier who awakens from a coma to discover that the accidental release of a highly contagious, aggression-inducing virus has caused the breakdown of society.
After being made on a budget of $8 million (£5.8 million), the film was a critical and commercial success, grossing $84.6 million (£62 million).
Five years later it was followed by the standalone sequel 28 Weeks Later, which starred Robert Carlyle, Rose Byrne, Jeremy Renner, and Idris Elba.
Set after the events of the first film, it followed ‘the efforts of United States-led NATO forces to establish a safe zone in London, the consequence of two young siblings breaking protocol to find a photograph of their mother, and the resulting reintroduction of the Rage Virus into the safe zone’.
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Like its predecessor, it was also a massive hit, bringing in over $65 million (£47 million) worldwide.
Now, nearly 20 years after that film, the third in the franchise will be released on June 20.
But, before then, fans or those who haven’t yet had a chance to catch up can watch the sequel, which was released on Netflix this week.
When the movie was originally released, it was praised by many.
‘A smashing horror film, frightening and thrilling,’ The Hollywood Reporter wrote in its review.
‘28 Weeks Later excels at creating a keen, creepy sense of a civilization stopped dead in its tracks,’ Entertainment Weekly wrote.
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‘28 Weeks Later lacks the streamlined thrust of its predecessor but makes for compelling, adrenaline-fueled viewing just the same,’ The Los Angeles Times added.
Soon after this film was released, there were discussions about a third film but by 2013, Boyle expressed uncertainty about whether it would actually happen.
It wasn’t until 2023 that Boyle and Garland confirmed they’d been working on the next follow-up, which was officially announced in January last year.
It stars Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes. It’s been teased of the film: ‘Twenty-eight years after the Rage virus escaped a medical research laboratory, survivors have found ways to exist amidst the infected. One group lives on a small island connected to the mainland by a single, heavily defended causeway. When a father and his son leave the island on a mission into the dark heart of the mainland, they discover the secrets, wonders and horrors of the outside world.’
28 Weeks Later is streaming on Netflix.
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New BBC crime drama Death Valley is available on Freely (Picture: BBC/BBC Studios/Simon Ridgwayl) A streaming app that’s been touted as a rival to Sky Glass will soon be available on more smart TVs. First launched in April last year, Freely is a relatively new […]
TVA streaming app that’s been touted as a rival to Sky Glass will soon be available on more smart TVs.
First launched in April last year, Freely is a relatively new free streaming service backed by the BBC, ITV, Channel 4 and Channel 5, and gives users the ability to stream live and on-demand TV all in one place, without paying a subscription fee.
It’s similar to Sky Glass, which also lets viewers tune into hundreds of live and on-demand channels via a broadband connection, rather than an aerial. Viewers can pause and rewind live TV with the app too.
While Sky Glass TV owners have to pay a minimum of £26 per month for content, Freely is, as the name suggests, completely free.
Sky Glass does offer premium features that viewers won’t find on Freely, however, such as personalisation for each member of the family, as well as the ability to ‘bookmark’ favourite shows.
But now it’s been announced that TVs powered by technology company Roku will have Freely installed, which includes models from brands including JVC, Logik, Sharp, METZ and Polaroid.
Meanwhile, Hisense, Bush, Panasonic and Toshiba already sell TVs with the Freely app.
Jonathan Thompson, CEO of Everyone TV, said of the news: ‘Offering freely on the Roku operating system is a major milestone for us, as we continue to expand reach for the free streaming platform.
‘We’re delighted that as a huge global player, Roku has recognised the importance of easy and seamless access to public service broadcast content for UK audiences and I look forward to seeing Freely smart TVs with Roku in market this summer.’
Freely replicates the terrestrial TV experience of browsing through a programme guide, meaning viewers can enjoy offerings from BBC, ITV, Channel 4, Channel 5, Film4, 5USA, U, Dave and many more.
This includes classic favourites such as Race Across the World, Downton Abbey, Derry Girls and Gogglebox.
Meanwhile, popular new shows that have landed recently include Death Valley, a cosy crime drama starring Timothy Spall, season two of BBC hit drama The Gold and The Secrets She Keeps, a gripping Australian thriller now available via Channel 4.
Earlier this year, Freely announced the launch of 16 new channels, including three Channel 4 channels that viewers ‘won’t find anywhere else’.
4Reality will feature reality TV gold like Married at First Sight, while 4Homes will offer dream homes, renovations and design inspiration with shows like Grand Designs.
The channel 4Life will bring travel, food and animals to screens with shows like The Dog House.
There are 11 new Channel 5 live channels that were also added, including Police Interceptors, 5 Cops and Dogs Behaving (Very) Badly.
Six of these are exclusive to Freely and My5, including The Yorkshire Vet, GPs Behind Closed Doors and Milkshake.
Freely has also recently launched two ITV channels called The Chase and Saturday Night Every Night, which are also available on ITVX.
Akhila Khanna, ITV Director of Distribution, said at the time: ‘At ITV we’re proud to be part of Freely and making these channels available to the Freely TV Guide reinforces our commitment to delivering fantastic, free content through this innovative platform and showcases our continued collaboration with other leading UK broadcasters.’
A version of this article was published on April 16, 2025.
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Channel 4 reportedly placed a sex ban on Virgin Island (Picture: Channel 4) Virgin Island sparked controversy last month, but bosses reportedly made a great move for the sake of its contestants. Last month, the divisive Channel 4 reality show saw 12 adult virgins guided […]
TVVirgin Island sparked controversy last month, but bosses reportedly made a great move for the sake of its contestants.
Last month, the divisive Channel 4 reality show saw 12 adult virgins guided by seven experts to help explore their intimacy issues, with viewers split over how to feel.
Some people found it all a bit cringeworthy, while others were concerned about the care of vulnerable people appearing on the series.
Now, it’s been reported that show bosses placed a sex ban on the crew, including experts and therapists Danielle Harel, Celeste Hirschman.
Given the intimate nature of the show, it was apparently decided that the ban would be appropriate to make sure everyone was comfortable.
‘Location shoots like this are usually a hotbed for hook-ups. But Virgin Island was no fun for anyone except the virgins,’ a source told The Sun.
The insider told the outlet that ‘production wanted to make them feel comfortable and unintimidated’.
They added: ‘This sort of crew sex ban is unheard of in the TV world, but is very responsible of Channel 4.’
Last month, the first series reached its climax after breaking records for the broadcaster, who noted the show rose ‘to the top of Channel 4’s list of new unscripted launches for share of 16-34s since modern records began’.
Virgin Island’s figures placed it above the likes of Supernanny, The Jury: Murder Trial and the original series of Married At First Sight, while almost nine million people tuned in across the run.
It’s not surprising, then, that Channel 4 want to go another round, with a second season already in the pipeline.
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The broadcaster’s measures to make everyone comfortable appears to have worked, as series one participant Dave insisted they all felt ‘so safe and secure’ on set.
In a statement encouraging people to apply for the next series, he said:
Series one participant, Dave, said of his experience: ‘Anyone who has watched the show will have seen how much my confidence grew over the course of the series, and I can’t speak highly enough of the experts and production team for making us feel so safe and secure.’
He added: ‘I was lucky enough to achieve the ultimate aim of the series whilst on the Island, and I can’t wait to see the next group of participants go on the same journey – I would wholly encourage anyone with enough courage and resilience to apply, it’s completely changed my life.’
Applications for season 2 are open now, with Channel 4 and Double Act Productions putting some strict restrictions in place for anyone looking to get involved.
‘It’s been such a thrill to watch this show catch fire,’ said Virgin Island Commissioning Editor, Jonah Weston. ‘From the brave cast to our wonderful experts I don’t think I’ve ever worked on anything quite so bold, warm and well-intentioned.’
As well as needing to have seen the first season, virgins hoping to take part will face a series of Zoom interviews, and some ‘one-to-one meetings’ in London over the summer.
The application form explains: ‘If invited to take part in the retreat, you may be required for a day’s interview filming in the UK around September 2025.
‘You must then be available to film at the retreat for approx. three weeks abroad in autumn 2025. You are responsible for getting the permitted time off work or study, if relevant.’
Metro has contacted Channel 4 for comment.
Virgin Island is available to stream on ITVX.
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Cutting through the Steam charts (Sony Interactive Entertainment) The director behind Stellar Blade has opened up about its shortcomings, as the action game tops three million sales worldwide. Despite the controversy around the design of its lead protagonist, Stellar Blade was one of the best […]
GamingThe director behind Stellar Blade has opened up about its shortcomings, as the action game tops three million sales worldwide.
Despite the controversy around the design of its lead protagonist, Stellar Blade was one of the best surprises of last year.
However, like other great action games in the same mould, à la Bayonetta and Devil May Cry, the story isn’t exactly its strong suit – even though there are dramatic cut scenes scattered throughout, attempting to make some sort of sense of it all.
Stellar Blade’s director and Shift Up CEO, Kim Hyung-tae, has discussed the game’s narrative during a new interview, where he openly admits that the story is ‘weak’.
Speaking in an interview with This Is Game, Hyung-tae was asked about the negative feedback levelled at Stellar Blade’s narrative.
‘I think it is true that the story is weak,’ Hyung-tae replied (via machine translation). ‘The game’s core play system was completed relatively early, but the thing that held us back the most was the cut scenes. In an action game that carries the narrative, cut scenes play a very important role in storytelling. It is difficult to convey the entire story with action alone.
‘That is why we have to carry the narrative through cut scenes, but at first, we tried to make a lot of settings and cut scenes.’
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The director explained that planned cut scenes which provided more context on Stellar Blade’s world were pulled during development, due to high production costs.
‘In the early stages of development, we planned to include detailed settings such as the reason the main character changes clothes in the story,’ he added.
‘However, as production progressed, the cost of producing cutscenes became too much, and eventually, for the sake of efficiency, we had no choice but to reduce cut scenes that supplemented the world view or character narratives outside of the main plot.
‘That’s how we were barely able to complete the game. It’s also because the development manpower pool or system for narrative-centred games has not yet been fully established in Korea.’
The director hopes to present a ‘sufficiently rich narrative’ in the sequel, which is targeting a 2027 launch. Stellar Blade was originally going to receive story DLC, but as confirmed by Hyung-tae, these plans were rolled into the next game.
‘As we were preparing the DLC, the volume grew more than expected, so we changed direction and proceeded with the next work,’ he said. ‘However, there have been many changes since then.’
It’s not really the quantity of cut scenes that’s an issue though, but the quality, and ironically having to limit the number may have helped the game. So the idea of having more in the sequel is not necessarily something to be welcomed.
Stellar Blade launched on PC last week and has already proven to be a big hit on the platform, sitting in the top five of Steam’s most played games over the past 24 hours (via SteamDB).
Over the weekend, the game racked up a 24 hour concurrent peak player count of 192,078, which is far higher than Sony’s other published PC ports like God Of War Ragnarök (35,615) and Spider-Man (66,436) – although it’s popularity is likely driven by its popularity in Asia.
Recently, developer Shift Up announced Stellar Blade has surpassed three million units sold across PlayStation 5 and PC, with one million copies sold within three days on Steam alone.
The PC version opens the floodgates to fan mods, something which Hyung-tae encourages, although he’d prefer to see fan creations which change the gameplay in some way.
‘Since we don’t provide official modding tools, it’s hard to change the entire game, but we’re looking forward to seeing mods that slightly change the way you enjoy the game,’ he said.
‘Of course, mods like new costumes or monster visuals are cool, but I think it would be really welcome if there were mods that expand the user’s play experience itself.’
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After behind-the-scenes clashes, public criticism, and tanking at the box office, the live-action Snow White has finally arrived on Disney Plus.
It was meant to be the jewel in Disney’s remake crown and modernise the beloved classic, but Snow White was a poisoned apple from the start.
While critics largely praised leading lady Rachel Zegler as ‘enchanting’, the scandal that surrounded the release overtook any positives about the film itself.
However, fans are now able to judge for themselves as it has landed on Disney’s streaming service – and they’re feeling a little split.
Some declared it made them cry, while others branded it ‘unfinishable’, many viewers likely watching for the first time out of morbid curiosity as it flopped in cinemas.
In March, amid all the controversy, the box office clawed back $205.5million (impressive until you consider the budget was around $270million).
‘Oh my god, the evil queen’s song in SNOW WHITE is one of the worst things I’ve ever heard in a musical,’ slammed cinemattie on X.
‘I just tried to watch the live action Snow White… I can’t finish it. It’s awful. I want to cry,’ complained NotTodayZurg__.
FloridaFlyer86 added: ‘I got some paint drying on a wall. Think I’ll watch that instead.’
The response hasn’t been all bad though, as many were praising the film (particularly focused on Rachel’s performance as Snow White).
‘I give 8/10 it was very different to the classic one it’s more extended I did enjoy it tho,’ said lewisjneal.
I just watched the live action snow white movie. yes, Gal Gadot is as bad as everyone says,’ added inpainla67. ‘But Rachel Zegler reminded me why snow white is one of my favorite princesses. The ending made me cry.’
A_mitchell1991 shared: ‘7/10 for me, definitely better than people made it out to be.’
The film had trouble from the start, with problems seeming to come from all angles as Disney reportedly rolled back the scale of their London premiere.
With just 40% on Rotten Tomatoes, the remake may have even stopped the controversial live-action remake push from Disney (not in time to pull Lilo and Stitch, though).
After the mixed response, Tangled has ‘been put on pause’, according to insiders speaking to The Hollywood Reporter.
Moana, set for release on July 10, 2026, is still thought to be in the works as one of Disney’s biggest animated hits of recent years.
Disney was facing pushback from fans as its slate appeared to be overwhelmingly focused on these remakes, with some even boycotting.
However, Snow White was hit was even more controversy than the others – until maybe the bizarre choices made for the recently released Lilo and Stitch.
First came the complaints that Rachel, 24, was a ‘woke’ casting choice given her Colombian heritage, echoing similar (distasteful) sentiments voiced over Halle Bailey’s Ariel.
The West Side Story star may have proved those naysayers wrong but this was just the start of the problems.
Game Of Thrones star Peter Dinklage then branded the studio ‘backwards’ for still making a ‘story about seven dwarfs living in a cave together’.
Peter, 55, has a common form of dwarfism known as achondroplasia and asked Disney to ‘take a step back and look at what you’re doing’.
As well as dropping half the film’s original title, director Marc Webb opted to portray the characters using CGI – which was pulled apart when the Seven Dwarfs were first unveiled in the movie’s teaser trailer – after erroneous reports that Disney would be using diverse ‘magical creatures’ instead.
Pro-wrestler Hornswoggle, 39, as well as other actors, said ultimately the decision was detrimental to their careers as the roles would have traditionally gone to seven actors with the condition.
Then came the girl boss-ification of Snow White herself – a common move in all the live-action remakes but garnered extra heat for Rachel.
Snow White was ‘not going to be dreaming about true love’ anymore and rather ‘becoming the leader she knows she can be and the leader that her late father told her that she could be if she was fearless, fair, brave, and true’.
Fans slammed Disney (and its leading lady) for the outdated feminism, which many felt turned its back on the core of who Snow White is in the original 1937 film.
Finally, there was the boycott over the casting of Gal Gadot, an Israeli actress who has publicly advocated for Israel over the years.
She has stated that ‘killing innocent Palestinians is horrific’, but mostly her public posts are about Israeli hostages, while Rachel was criticised for her support of Palestine.
After an incredibly messy road to get here, Snow White’s release was quickly forgotten in the wake of other remake missteps.
Snow White will be available to watch on Disney Plus now.
This article was originally published on June 5, 2025.
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It’s time to go to Beechwood Island (Picture: Jessie Redmond/Prime) Would someone please spare a thought for the offspring of the mega wealthy? It’s something TV has been asking us to do for years and it looks like the going still isn’t great for the […]
TVWould someone please spare a thought for the offspring of the mega wealthy? It’s something TV has been asking us to do for years and it looks like the going still isn’t great for the super-rich in We Were Liars.
In the latest glossy spin on the rich-people-having-a-terrible-time sub-genre of the small screen, Amazon Prime Video has turned the smash BookTok sensation from E Lockhart into a twisty, turny eight-part adaptation.
On this occasion the fabulously wealthy family in question are the Sinclairs, a Kennedy-esque oppressively blonde brood who every summer decamp to their private island Beechwood, near Martha’s Vineyard.
The picture-postcard setting is their very own summer idyll, with huge houses and endless opportunities to cannonball into the aquamarine water.
Yet all is not as it seems. ‘Something terrible happened last summer,’ our heroine Cady Sinclair – played by Emily Alyn Lind of the doomed Gossip Girl reboot – tells us. ‘I have no memory of what or who hurt me.’
We see Cady’s mangled half-naked body atop a cliff at the end of summer, after a mysterious incident which the entire show wraps around. We flashback to the beginning of June to, like Cady, piece together everything she forgot and find out what happened.
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Of the Sinclair grandchildren, there are the ‘littles’ and the titular ‘liars’ (yes, it’s a bit smug) – Cady and her cousins are known as such after a childhood spent being troublemakers prone to a fib. There’s Johnny (Joseph Zada), Mirren (Esther McGregor) and Gat (Shubham Maheshwari), who is the outsider of the group, as not technically a Sinclair, and one of the only non-white people on Beechwood.
Before everything goes bust for Cady, a long-simmering attraction to Gat finally blossoms into full-blown summer romance. The show bottles up that giddy feeling of being a teenager with a huge crush – it’s a lot of close-ups on eyes, mouths, feet and hands as they brush – even if it is on someone who’s positioned as cousin-adjacent.
In between the summer loving, there’s inevitable family drama. The Sinclair grandfather Harris (David Morse) only doles out his affection and its accompanying cash in teaspoon measures. Everyone has a secret hidden beneath their quiet luxury clothing and none of the three Sinclair daughters are happy with their lot.
The highlight among them is The Vampire Diaries’ Candice King, although it is strange to see her playing an embittered mother when she doesn’t look much different from vampiric Caroline.
When Cady isn’t making ominous reference to her impending amnesia via voiceover, We Were Liars is largely a summer vibes machine with a big-budget soundtrack (HAIM! Hozier! Good Neighbours!) you’ll be seeking out on Spotify. The sunny daytime is this show’s domain, so much so you might find yourself squinting at the screen during the under-lit nighttime scenes.
Cady helpfully dyes her hair brown after her accident. But even with this visual aid, the hopscotching time frame between two summers can be confusing, much like Cady’s own patchy memory of things.
The breathy voiceover doesn’t do much to clue you in on what’s happening when, since it starts to sound like Carrie Bradshaw’s column word salad when you really tune into what she’s quite repetitively saying.
But whenever you start to feel bogged down in the so-so teen melodrama, some big reveal will come from another corner of the show to pull you back in. This is the show’s strength: it moves at a clip and there is always something barmy happening to one of the Sinclairs.
Unlike the best eat-the-rich mysteries, this is painfully lacking in the laughs department and probably takes itself a bit too seriously. But you won’t regret sticking around for the final reveal to plug the gap in Cady’s memory: it’s so bonkers it’s beyond the guessing game.
We Were Liars is available to stream on Prime Video from June 18.
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A Spanish-American series starring Stanley Tucci is now available for free in the UK (Picture: AMC) A ‘distinctive’ series about a diplomat hunting down a team of treasure hunters to recover their spoils is now streaming for free in the UK. First hitting screens in […]
TVA ‘distinctive’ series about a diplomat hunting down a team of treasure hunters to recover their spoils is now streaming for free in the UK.
First hitting screens in 2021, La Fortuna is a Spanish-American adventure drama television miniseries.
Directed by Alejandro Amenábar, the series marked the acclaimed filmmakers first foray into small screen productions.
Based on the 2018 graphic novel El tesoro del Cisne Negro by Paco Roca and Guillermo Corral, the six-parter, which is now on ITVX in the UK, was also based on an incredible true story.
In 1804 the Spanish ship Nuestra Senora de las Mercedes was sunk by the British Navy off the south coast of Portugal during the Battle of Cap Santa Maria.
Over two centuries later, in 2007, the Florida-based company Odysseus Marine Exploration reported having discovered a shipwreck, later revealed to be the Senora.
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The crew recovered almost 500,000 silver and gold coins from the wreck before transporting them to the United States.
But soon after the Spanish government kickstarted a legal battle over what it considered to be illegal looting, with the coins estimated to be worth around $500,000 (£368,000).
In the TV show, the story focuses on Alex Ventura (Álvaro Mel), a young diplomat who ends up spearheading efforts to recover the underwater shipwreck of La Fortuna, seized off the coast of Gibraltar by Frank Wild (Stanley Tucci), a treasure hunter.
It was teased of the show: ‘La Fortuna was known to be carrying gold gathered all over South America to fund the Spanish war effort. Wild and his crew claim to have found it by chance. Now the Spanish government wants it back.’
The series also stars Ana Polvorosa as Lucía Vallarta, a civil servant and T’Nia Miller as Susan McLean, a lawyer collaborating with Frank.
At the time reviews of the series were mixed from critics and viewers, but many did share they were drawn in by the unique premise.
‘There is no puzzle to solve in La Fortuna, no hidden messages, and that relative straightforwardness coupled with the actors’ clinic put on by Tucci and Peters is enough to make La Fortuna worth retrieving from the depths of streaming,’ Vulture wrote in its review.
‘La Fortuna’s distinctive story, combined with the standout performances from Tucci and Peters, make the show one we want to stick with,’ Decider shared.
‘It’s a very topical, hot-button issue that the series addresses, intelligently and not without acknowledging that its central controversy has two sides — even if director and co-writer Alejandro Amenábar makes clear which side he’s on,’ the Wall Street Journal added.
Deadline explained the show as ‘a strange, soupy hybrid of courtroom drama, Indiana Jones fantasies and an Iberian version of The Office’.
Meanwhile fans said it was a ‘breath of fresh air worth binging’, a ‘masterpiece’ and even ‘the best Spanish series ever’.
Speaking to Empire in 2022, Stanley spoke about being drawn to his character, who is described in the first episode as a ‘pirate’.
What drew you to your character in La Fortuna****, who is actually described in the first episode
‘I mean, that’s what drew me to him, that he’s really complicated,’ he said.
‘He seems to be one thing, but turns out to be another thing. He’s a very complex guy, and those are always great roles to play.’
In real life, a U.S. federal court and a panel from the United States Court of Appeals for the Eleventh Circuit upheld the Spanish claim to the contents of La Fortuna.
However, they were not returned until 2013, when a court ordered Odyssey Marine to return the coins, which totalled 14.5 tonnes.
They are now held in the National Museum of Subaquatic Archaeology in Cartagena (Murcia) for cataloguing, study and permanent display.
La Fortuna is streaming on ITVX.
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A beloved Clarkson’s Farm star was struggling over the weekend (Picture: Prime Video / Ellis O’Brien) A Clarkson’s Farm star is in some pain after suffering a ‘busted ankle’. Kaleb Cooper, 26, has become a household name since rising to fame with Jeremy Clarkson on […]
TVA Clarkson’s Farm star is in some pain after suffering a ‘busted ankle’.
Kaleb Cooper, 26, has become a household name since rising to fame with Jeremy Clarkson on the Amazon Prime Video series, which is set on the former Top Gear star’s Diddly Squat farm.
The farmer has become a star in his own right, and he was kept busy at this year’s Royal Three Counties show in Worcestershire despite his recent injury.
‘I may be hobbling around because I’ve got a bit of a busted ankle, but it’ll be fine,’ he said in a video shared to the event’s official Instagram account before a packed schedule on Sunday.
He kicked off his day at a Future of Farming talk at 11am, followed by a Machinery Demo in the Main Arena at 12:45pm, and an appearance at the Food & Drink Theatre 45 minutes later.
Earlier in the week, he’d been spotted at Cereals 2025 – another farming festival – moving around on a mobility scooter in photos published by the Oxford Mail.
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Kaleb seemed to be in good spirits as he chatted to locals, although his foot was still in a protective boot at the time.
He had vowed to still be at the Three Counties event too, despite revealing days earlier that he had ‘fractured’ his ankle.
In another Instagram Story, he said: ‘Just got back from football and trying to haul my [butt] to shut the chickens up… look at that ankle.’
Thankfully for Kaleb, his schedule will start to get a bit easier after Jeremy confirmed Clarkson’s Farm is taking a ‘short break’ after its upcoming fifth series.
The programme recently returned for a fourth season, and while another series is already in the works, there’ll be a chance for everyone to down tools in the near future.
Jeremy has had some health setbacks, with a heart operation in 2024, and he recently put his back out with no clue how he managed it.
‘I’d do a sixth if there was a reason for doing it, like a bloody good story. But if, say, my back turns out to be cancerous then I wouldn’t,’ he quipped in an interview with The Times.
The former Grand Tour presenter confirmed that either way, there’ll be a ‘short break’ after the fifth series.
He added: ‘Whatever happens we’ll definitely take a short break as the crews are all worn out. We’ve been filming here two or three days a week, every week, for five years. Everybody could do with a rest.’
There had been some concern from fans that Kaleb’s role was being scaled back for the fourth series as farmhand Harriet Cowan appeared to be replacing him.
However, Jeremy soon explained that Kaleb’s other commitments meant he needed someone else to help out.
‘What happened is this, he went away on his speaking tour, for a couple of months because he imagined that after four years, I’d be able to manage on my own,’ Jeremy explained.
‘I didn’t – I made a complete mess of everything and had to bring in a young girl called Harriet. Harriet is brilliant and looked after the fort until he got back.’
Clarkson’s Farm is available to stream on Amazon Prime Video.
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